Series | Antiquity Studies
Edited book | Epigraphic Falsification
Chapter | Iscrizioni falsae nelle collezioni inglesi
Iscrizioni falsae nelle collezioni inglesi
Il caso del Fitzwilliam Museum di Cambridge
Abstract
This paper considers some forged inscriptions from the epigraphic collection of the Fitzwilliam Museum in Cambridge, as the arrival point of a complex series of passages, which began with the emergence of antiquarian collections in England. By investigating these cycles, it is possible to observe how the same epigraphic text, certainly not classical, had to change its nature according to the historical contexts and the sensitivity of its users, developing from an erudite exercise into a functional element, and eventually becoming a ‘true false’.
Submitted: July 3, 2019 | Accepted: Sept. 8, 2019 | Published Dec. 16, 2019 | Language: it
Keywords Thomas Hollis • Fitzwilliam Museum • John Disney • Spurious imitations • Forged inscriptions
Copyright © 2019 Maria Letizia Caldelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-386-1/004
