Series |
Antiquity Studies
Edited book | Altera pars laboris
Chapter | Le iscrizioni dell’album del Louvre di Jacopo Bellini
Abstract
Even if Jacopo Bellini may not quite be compared to his son-in-law Andrea Mantegna for his reputation as a ‘lover of antiquities’, his drawing book, now kept at the Louvre, contains two famous sheets of Roman inscriptions, which deserve special attention. This essay assesses the reliability of Bellini’s drawings in order to understand how much and what kind of information he can give us about some inscriptions, which are currently for the greater part lost.
Submitted: July 12, 2019 | Accepted: Oct. 2, 2019 | Published Dec. 11, 2019 | Language: it
Keywords Iconography • Epigraphy • Antiquarianism • Lost inscriptions • Jacopo Bellini
Copyright © 2019 Donato Fasolini. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-374-8/007
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Fasolini, Donato. ‘Le Iscrizioni Dell’album Del Louvre Di Jacopo Bellini’. Antichistica (11 December...
Fasolini, Donato. ‘Le Iscrizioni Dell’album Del Louvre Di Jacopo Bellini’. Antichistica (2019): n. p...
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_3404 |
dc.contributor.author |
Fasolini Donato |
dc.title |
Le iscrizioni dell’album del Louvre di Jacopo Bellini. Una fonte attendibile per epigrafia e iconografia? |
dc.type |
Chapter |
dc.language.iso |
it |
dc.description.abstract |
Even if Jacopo Bellini may not quite be compared to his son-in-law Andrea Mantegna for his reputation as a ‘lover of antiquities’, his drawing book, now kept at the Louvre, contains two famous sheets of Roman inscriptions, which deserve special attention. This essay assesses the reliability of Bellini’s drawings in order to understand how much and what kind of information he can give us about some inscriptions, which are currently for the greater part lost. |
dc.relation.ispartof |
Antiquity Studies |
dc.relation.ispartof |
Storia ed epigrafia |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.issued |
2019-12-11 |
dc.dateAccepted |
2019-10-02 |
dc.dateSubmitted |
2019-07-12 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-375-5/le-iscrizioni-dellalbum-del-louvre-di-jacopo-belli/ |
dc.identifier.doi |
10.30687/978-88-6969-374-8/007 |
dc.identifier.issn |
2610-8828 |
dc.identifier.eissn |
2610-9344 |
dc.identifier.isbn |
978-88-6969-375-5 |
dc.identifier.eisbn |
978-88-6969-374-8 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
yes |
dc.subject |
Antiquarianism |
dc.subject |
Antiquarianism |
dc.subject |
Epigraphy |
dc.subject |
Epigraphy |
dc.subject |
Iconography |
dc.subject |
Iconography |
dc.subject |
Jacopo Bellini |
dc.subject |
Jacopo Bellini |
dc.subject |
Lost inscriptions |
dc.subject |
Lost inscriptions |
Download data |
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