Series |
Quaderni di Venezia Arti
Volume 2 | Monograph | Testo e immagine. Un dialogo dall’antichità al contemporaneo
Testo e immagine. Un dialogo dall’antichità al contemporaneo
Текст и образ. От античности к современности
open access
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edited by
- Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
- Beatrice Spampinato - Università Ca’ Foscari Venezia, Italia - email
- Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email
Abstract
Il volume raccoglie i contributi del Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Text and Image. A Dialogue from Antiquity to Contemporary Age (6-7 giugno 2019). | Сборник включает материалы Международной конференции аспирантов Департамента Философии и Культурного Наследия Университета Ка’ Фоскари в Венеции и Государственного Института Искусствознания в Москве Text and Image. A Dialogue from Antiquity to Contemporary Age (6-7 июня 2019).
Keywords Biennale di Venezia • Chiara Fumai • Gilgamesh • Iconoclasm • Russian Art Critique of the XIX Century • art • Rationalisation • Quattrocento • Jurgis Baltrušaitis • Art • Ludic technologies • Monotheism • Narrative Identity • New Media Art • Olia Lialina • Primitives • Quotation • Formalism • Frame • History of Art Provenance • Interaction between a picture and a frame • Polytheism • Video Art • The Samanids • Owner’s marks • Net • Botticelli • Futurist Poetry • Graphic Symbols • Livre d’artiste • Medium • Wax Seals • Interpretation • Museum Labels • Rosalind Krauss • Zaum • Text and image • Russian Futurism • Author’s frame • Web Cinema • Zdanevich • Reception • Collectors’ Labels • Seljuk architecture • Vito Acconci • Image • Iranian architecture • Iliazd • Daniel in lion’s den • Identity of Iranians
Permalink http://doi.org/10.30687/978-88-6969-362-5 | e-ISBN 978-88-6969-362-5 | ISBN (PRINT) 978-88-6969-363-2 | Published Nov. 28, 2019 | Language it, ru
Copyright © 2019 Maria Redaelli, Beatrice Spampinato, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Note introduttive | Вступительное слово
- Note introduttive
- Nov. 28, 2019
Parole nelle immagini, parole oltre le immagini | Визуальность и её границы
- Chiara Fumai. Medium, Media, Medium
- Nov. 28, 2019
- La matrice espressiva nel livre d’artiste di Iliazd
- Nov. 28, 2019
La parola come strumento | Слово как приём
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Вопросы художественного провенанса
заметки о некоторых знаках и графических символах, оставленных художниками, владельцами и музейными работниками на различных произведениях искусства - Nov. 28, 2019
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L’immagine religiosa dall’epifania al feticcio
Divieto delle immagini e razionalizzazione nel monoteismo - Nov. 28, 2019
Leggere l’architettura medievale | Прочтения средневековой архитектуры
- Baltrušaitis e la leggenda della forma di Gilgamesh
- Nov. 28, 2019
- Идентичность иранцев в архитектуре X-XII вв
- Nov. 28, 2019
