Testo e immagine. Un dialogo dall’antichità al contemporaneo

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Campo DC	Valore
dc.identifier	ECF_book_394
dc.creator	Redaelli Maria
dc.creator	Spampinato Beatrice
dc.creator	Timonina Alexandra
dc.title	Testo e immagine. Un dialogo dall’antichità al contemporaneo. Текст и образ. От античности к современности
dc.type	Monografia
dc.language.iso	ru, it
dc.description.abstract	Il volume raccoglie i contributi del Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Text and Image. A Dialogue from Antiquity to Contemporary Age (6-7 giugno 2019). \| Сборник включает материалы Международной конференции аспирантов Департамента Философии и Культурного Наследия Университета Ка’ Фоскари в Венеции и Государственного Института Искусствознания в Москве Text and Image. A Dialogue from Antiquity to Contemporary Age (6-7 июня 2019).
dc.relation.ispartof	Quaderni di Venezia Arti
dc.identifier.doi	10.30687/978-88-6969-362-5
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2019-11-28
dc.identifier.uri	http://edizionicafoscari.unive.it/it/edizioni4/libri/978-88-6969-363-2/
dc.identifier.eissn	2784-8868
dc.identifier.isbn	978-88-6969-363-2
dc.identifier.eisbn	978-88-6969-362-5
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	art
dc.subject	art
dc.subject	Art
dc.subject	Author’s frame
dc.subject	Author’s frame
dc.subject	Author’s frame
dc.subject	Biennale di Venezia
dc.subject	Biennale di Venezia
dc.subject	Biennale di Venezia
dc.subject	Botticelli
dc.subject	Botticelli
dc.subject	Botticelli
dc.subject	Chiara Fumai
dc.subject	Chiara Fumai
dc.subject	Chiara Fumai
dc.subject	Collectors’ Labels
dc.subject	Collectors’ Labels
dc.subject	Collectors’ Labels
dc.subject	Daniel in lion’s den
dc.subject	Daniel in lion’s den
dc.subject	Formalism
dc.subject	Formalism
dc.subject	Formalism
dc.subject	Frame
dc.subject	Frame
dc.subject	Frame
dc.subject	Futurist Poetry
dc.subject	Futurist Poetry
dc.subject	Futurist Poetry
dc.subject	Gilgamesh
dc.subject	Gilgamesh
dc.subject	Graphic Symbols
dc.subject	Graphic Symbols
dc.subject	Graphic Symbols
dc.subject	History of Art Provenance
dc.subject	History of Art Provenance
dc.subject	History of Art Provenance
dc.subject	Iconoclasm
dc.subject	Iconoclasm
dc.subject	Iconoclasm
dc.subject	Identity of Iranians
dc.subject	Identity of Iranians
dc.subject	Iliazd
dc.subject	Iliazd
dc.subject	Iliazd
dc.subject	Image
dc.subject	Image
dc.subject	Image
dc.subject	Interaction between a picture and a frame
dc.subject	Interaction between a picture and a frame
dc.subject	Interaction between a picture and a frame
dc.subject	Interpretation
dc.subject	Interpretation
dc.subject	Interpretation
dc.subject	Iranian architecture
dc.subject	Iranian architecture
dc.subject	Iranian architecture
dc.subject	Jurgis Baltrušaitis
dc.subject	Jurgis Baltrušaitis
dc.subject	Jurgis Baltrušaitis
dc.subject	Livre d’artiste
dc.subject	Livre d’artiste
dc.subject	Livre d’artiste
dc.subject	Ludic technologies
dc.subject	Ludic technologies
dc.subject	Ludic technologies
dc.subject	Medium
dc.subject	Medium
dc.subject	Medium
dc.subject	Monotheism
dc.subject	Monotheism
dc.subject	Monotheism
dc.subject	Museum Labels
dc.subject	Museum Labels
dc.subject	Museum Labels
dc.subject	Narrative Identity
dc.subject	Narrative Identity
dc.subject	Net
dc.subject	Net
dc.subject	Net
dc.subject	New Media Art
dc.subject	New Media Art
dc.subject	New Media Art
dc.subject	Olia Lialina
dc.subject	Olia Lialina
dc.subject	Olia Lialina
dc.subject	Owner’s marks
dc.subject	Owner’s marks
dc.subject	Owner’s marks
dc.subject	Polytheism
dc.subject	Polytheism
dc.subject	Polytheism
dc.subject	Primitives
dc.subject	Primitives
dc.subject	Primitives
dc.subject	Quattrocento
dc.subject	Quattrocento
dc.subject	Quattrocento
dc.subject	Quotation
dc.subject	Quotation
dc.subject	Quotation
dc.subject	Rationalisation
dc.subject	Rationalisation
dc.subject	Rationalisation
dc.subject	Reception
dc.subject	Reception
dc.subject	Reception
dc.subject	Rosalind Krauss
dc.subject	Rosalind Krauss
dc.subject	Rosalind Krauss
dc.subject	Russian Art Critique of the XIX Century
dc.subject	Russian Art Critique of the XIX Century
dc.subject	Russian Art Critique of the XIX Century
dc.subject	Russian Futurism
dc.subject	Russian Futurism
dc.subject	Russian Futurism
dc.subject	Seljuk architecture
dc.subject	Seljuk architecture
dc.subject	Text and image
dc.subject	Text and image
dc.subject	Text and image
dc.subject	Text and image
dc.subject	Text and image
dc.subject	The Samanids
dc.subject	The Samanids
dc.subject	Video Art
dc.subject	Video Art
dc.subject	Video Art
dc.subject	Vito Acconci
dc.subject	Vito Acconci
dc.subject	Vito Acconci
dc.subject	Wax Seals
dc.subject	Wax Seals
dc.subject	Wax Seals
dc.subject	Web Cinema
dc.subject	Web Cinema
dc.subject	Web Cinema
dc.subject	Zaum
dc.subject	Zaum
dc.subject	Zaum
dc.subject	Zdanevich
dc.subject	Zdanevich
dc.subject	Zdanevich

Monografia
open access

Testo e immagine. Un dialogo dall’antichità al contemporaneo

Текст и образ. От античности к современности

a cura di

Maria Redaelli Università Ca’ Foscari Venezia, Italia

Beatrice Spampinato Università Ca’ Foscari Venezia, Italia

Alexandra Timonina Università Ca’ Foscari Venezia, Italia

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abstract

Il volume raccoglie i contributi del Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Text and Image. A Dialogue from Antiquity to Contemporary Age (6-7 giugno 2019). | Сборник включает материалы Международной конференции аспирантов Департамента Философии и Культурного Наследия Университета Ка’ Фоскари в Венеции и Государственного Института Искусствознания в Москве Text and Image. A Dialogue from Antiquity to Contemporary Age (6-7 июня 2019).

Pubblicato

28 Novembre 2019

Lingua

RU, IT

ISBN (PRINT)

978-88-6969-363-2

ISBN (EBOOK)

978-88-6969-362-5

Keywords

Quattrocento • Net • Iconoclasm • Frame • Monotheism • Daniel in lion’s den • Interaction between a picture and a frame • Art • Owner’s marks • Jurgis Baltrušaitis • Zdanevich • Primitives • Text and image • Interpretation • The Samanids • Futurist Poetry • New Media Art • art • History of Art Provenance • Medium • Identity of Iranians • Author’s frame • Biennale di Venezia • Graphic Symbols • Livre d’artiste • Olia Lialina • Iranian architecture • Zaum • Seljuk architecture • Botticelli • Iliazd • Formalism • Polytheism • Vito Acconci • Chiara Fumai • Museum Labels • Ludic technologies • Wax Seals • Web Cinema • Collectors’ Labels • Rationalisation • Reception • Narrative Identity • Video Art • Quotation • Rosalind Krauss • Gilgamesh • Image • Russian Art Critique of the XIX Century • Russian Futurism

permalink http://doi.org/10.30687/978-88-6969-362-5

Copyright: © 2019 Maria Redaelli, Beatrice Spampinato, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Sommario

Note introduttive | Вступительное слово

Note introduttive

28 Novembre 2019

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Citazioni verso questo capitolo

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Sommario

Note introduttive | Вступительное слово

Parole nelle immagini, parole oltre le immagini | Визуальность и её границы

La parola come strumento | Слово как приём

Leggere l’architettura medievale | Прочтения средневековой архитектуры