Series | Library of Rassegna iberistica
Edited book | Classical Spanish Theater in the Cinema
Chapter | Del teatro al cine: sobre el concepto de adaptación y sus transformaciones
Del teatro al cine: sobre el concepto de adaptación y sus transformaciones
Abstract
From the origins of cinema, the relationship between theater and the moving image has been persistent. It has also been problematic in several ways. Theatre seemed a particularly suitable medium to provide film with plots, as well as actors and a sense of staging. The two media proximity has caused many misunderstandings and not a few headaches to writers, producers and film directors. The aim of this article is to trace different options for film adaptations of theatrical texts and also to understand the problems posed in several films by Orson Welles, Roman Polanski, Louis Malle, Peter Brook, and Ingmar Bergman.
Submitted: Feb. 19, 2019 | Accepted: April 23, 2019 | Published July 12, 2019 | Language: es
Keywords Shakespeare • Adaptation • Audience • Theatre • Cinema
Copyright © 2019 Iván Gómez García. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-330-4/002
