Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

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open access | peer reviewed
    edited by
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords NaplesScreen adaptationShakespearePortugalDialectic high vs lowTheatre in cinemaAdaptationFrancisco FrancoCinemaFilm adaptationFrancoismCensorshipEl desdén con el desdénMenos es másFranco’s regimeMaría Teresa LeónPedro Calderón de la BarcaPropagandaFilmic rewritingGolden Age Drama StudiesCinematographic adaptionHispanismReceptionFilm versionReception of the Golden Age theatre heritageSiglo de OroPilar MiróSpanish Golden Age theaterSpanish ComediaTheatreEl Alcalde de ZalameaSpanishnessTheories on adaptationNazismSpanish theater of Golden CenturyCommunismLa vida es sueñoLope de VegaNational identitySpanish cinemaMonologueSpainDictatorshipArgentine cinemaCinematic spaceDon JuanCalderónRafael AlbertiReception of the Golden Age Theatre HeritageAgustín MoretoAudienceGolden Age DramaTheater-cinema relationsEl perro del hortelanoTheatrical space

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es