Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

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open access | peer reviewed
    edited by
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords Film adaptationNazismCinematic spaceSpanish cinemaNaplesTheories on adaptationEl desdén con el desdénCinematographic adaptionSpainCinemaTheater-cinema relationsPortugalGolden Age Drama StudiesArgentine cinemaSpanish Golden Age theaterDialectic high vs lowTheatreCalderónHispanismFrancoismLope de VegaFilm versionNational identityCensorshipCommunismPropagandaSiglo de OroSpanishnessTheatrical spaceFrancisco FrancoMonologueFilmic rewritingLa vida es sueñoSpanish ComediaPedro Calderón de la BarcaMenos es másEl perro del hortelanoReceptionAudienceGolden Age DramaPilar MiróDon JuanShakespeareTheatre in cinemaReception of the Golden Age Theatre HeritageReception of the Golden Age theatre heritageSpanish theater of Golden CenturyEl Alcalde de ZalameaDictatorshipScreen adaptationAdaptationRafael AlbertiMaría Teresa LeónFranco’s regimeAgustín Moreto

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es