Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

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open access | peer reviewed
    edited by
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords FrancoismSpanish ComediaCommunismHispanismReception of the Golden Age theatre heritageSpanish theater of Golden CenturyEl perro del hortelanoLope de VegaPortugalMenos es másCinematic spaceSiglo de OroArgentine cinemaPedro Calderón de la BarcaReceptionScreen adaptationFilmic rewritingTheater-cinema relationsLa vida es sueñoTheatre in cinemaMonologuePropagandaSpanish Golden Age theaterCalderónFilm adaptationMaría Teresa LeónNaplesFranco’s regimePilar MiróCinematographic adaptionTheories on adaptationAudienceShakespeareGolden Age Drama StudiesCinemaAgustín MoretoReception of the Golden Age Theatre HeritageGolden Age DramaSpanishnessEl Alcalde de ZalameaCensorshipDictatorshipAdaptationSpainTheatreDialectic high vs lowTheatrical spaceFilm versionNazismSpanish cinemaEl desdén con el desdénDon JuanNational identityFrancisco FrancoRafael Alberti

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es