El teatro clásico español en el cine

El teatro clásico español en el cine

Download free PDF

  pdf
Views 6
Downloads 0

Topic
chevron_rightLinguistics

Language
es

ISBN (print)
978-88-6969-331-1

ISBN (ebook)
978-88-6969-330-4

ISSN
chevron_right2610-8844

e-ISSN
chevron_right2610-9360

Date of publication
12 Jul 2019

Share

Metadata

Biblioteca di Rassegna iberistica

Las reescrituras fílmicas de la comedia nueva
Un patrimonio desconocido y desatendido (hasta ahora)

Alba Carmona
Universitat Autònoma de Barcelona, Espanya
alba.carmona.lazaro@gmail.com

DOI 10.30687/978-88-6969-330-4/001

Submitted 19 Feb 2019
Accepted 26 Mar 2019

Abstract

Broadly speaking, the cinematographic adaptations of the comedia nueva have not drawn the Hispanists’ attention. Why? Have there been any changes to that trend lately? This essay aims at tackling these issues. It suggests that the underdevelopment of this field of study is due to a strong philological orientation of most Spanish departments and the scattering of film materials. It also proposes that the increasing academic interest in Siglo de Oro’s presence on screen is linked to the recent release of TV series such as El Ministerio del Tiempo, which has brought Lope and Cervantes close to a broader public. This essay concludes by suggesting some relevant research threads that are still to be explored, such as studying unfinished cinematographic adaptations and the analysis of comedia’s diffusion through TV.

Keywords
Film adaptation. Golden Age Drama Studies. Hispanism. Reception of the Golden Age Theatre Heritage. Theatre in cinema.


Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

Table of contents
×
Campo DC Valore

dc.contributor.author

Carmona Alba

dc.title

Las reescrituras fílmicas de la comedia nueva

dc.type

Book Chapter

dc.language.iso

es

dc.description.abstract

Broadly speaking, the cinematographic adaptations of the comedia nueva have not drawn the Hispanists’ attention. Why? Have there been any changes to that trend lately? This essay aims at tackling these issues. It suggests that the underdevelopment of this field of study is due to a strong philological orientation of most Spanish departments and the scattering of film materials. It also proposes that the increasing academic interest in Siglo de Oro’s presence on screen is linked to the recent release of TV series such as El Ministerio del Tiempo, which has brought Lope and Cervantes close to a broader public. This essay concludes by suggesting some relevant research threads that are still to be explored, such as studying unfinished cinematographic adaptations and the analysis of comedia’s diffusion through TV.

dc.relation.ispartof

Biblioteca di Rassegna iberistica

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

2019-07-12

dc.dateAccepted

2019-02-19

dc.dateSubmitted

2019-03-26

dc.identifier.uri

http://doi.org/10.14277/978-88-6969-330-4/001

dc.identifier.issn

2610-8844

dc.identifier.eissn

2610-9360

dc.identifier.isbn

978-88-6969-331-1

dc.identifier.eisbn

978-88-6969-330-4

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

item.fulltext

with fulltext

item.grantfulltext

open

dc.subject

Film adaptation

dc.subject

Golden Age Drama Studies

dc.subject

 Hispanism

dc.subject

Reception of the Golden Age Theatre Heritage

dc.subject

Theatre in cinema

Download

×