La inversión paródica de la semplicetta farfalla y de otros motivos amorosos

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DC Field	Value
dc.identifier	ECF_chapter_1108
dc.contributor.author	Martínez Navarro María del Rosario
dc.title	La inversión paródica de la semplicetta farfalla y de otros motivos amorosos en el Aula de cortesanos (1547)
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	One of the main representative authors of anti-court literature was the poet Cristóbal de Castillejo (1490?-1550). Our study aims at launching a reflection on the importance of Castillejo’s works where flattery is presented as a satirized topic, especially in his dialogue entitled Aula de cortesanos (1547), which is one of the most important compositions in his career. Flattery, one of the major vices of the courtier, is associated in Castillejo’s works with fake love as opposed to the idealized traditional conceptions. To describe the presence of this vice at the court, Castillejo uses traditional love topics which he distorts with humor. For instance, the metaphor of the semplicetta farfalla, which was popularized through Petrarchist poetry, is ironically used to compare the courtiers’ illnesses with their own limerence. Other parts of the composition also foreshadow an interesting parody of the courtly love code which is turned into a purely rhetorical-stylistic exercise.
dc.relation.ispartof	Library of Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2017-07-03
dc.dateAccepted	2016-03-31
dc.dateSubmitted	2015-07-13
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-164-5/la-inversion-parodica-de-la-semplicetta-farfalla-y/
dc.identifier.doi	10.14277/6969-163-8/RiB-5-18
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-164-5
dc.identifier.eisbn	978-88-6969-163-8
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Anti-aulic satire
dc.subject	Anti-aulic satire
dc.subject	Butterfly
dc.subject	Butterfly
dc.subject	Castillejo
dc.subject	Castillejo
dc.subject	Love
dc.subject	Love
dc.subject	Parody
dc.subject	Parody

Chapter
open access peer reviewed

La inversión paródica de la semplicetta farfalla y de otros motivos amorosos en el Aula de cortesanos (1547)

María del Rosario Martínez Navarro Universidad de Sevilla, España

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abstract

One of the main representative authors of anti-court literature was the poet Cristóbal de Castillejo (1490?-1550). Our study aims at launching a reflection on the importance of Castillejo’s works where flattery is presented as a satirized topic, especially in his dialogue entitled Aula de cortesanos (1547), which is one of the most important compositions in his career. Flattery, one of the major vices of the courtier, is associated in Castillejo’s works with fake love as opposed to the idealized traditional conceptions. To describe the presence of this vice at the court, Castillejo uses traditional love topics which he distorts with humor. For instance, the metaphor of the semplicetta farfalla, which was popularized through Petrarchist poetry, is ironically used to compare the courtiers’ illnesses with their own limerence. Other parts of the composition also foreshadow an interesting parody of the courtly love code which is turned into a purely rhetorical-stylistic exercise.

Accepted

March 31, 2016

Submitted

July 13, 2015

Language

ISBN (PRINT)

978-88-6969-164-5

ISBN (EBOOK)

978-88-6969-163-8

Keywords: Castillejo • Butterfly • Love • Parody • Anti-aulic satire

permalink: http://doi.org/10.14277/6969-163-8/RiB-5-18

Copyright: © 2017 María del Rosario Martínez Navarro. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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