De sonetos calderonianos

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DC Field	Value
dc.identifier	ECF_chapter_993
dc.contributor.author	Caamaño Rojo María José
dc.title	De sonetos calderonianos
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	I would like to analyze the sonnets of two Calderon’s plays, Antes que todo es mi dama and El josé de las mujeres, to prove if the dramatist uses them as he did in El mayor monstruo del mundo or A secreto agravio, secreta venganza, which I have studied previously. The function of the sonnets in these two Calderonian plays is not the common monologue of a character alone on stage; rather, Calderón uses this type of composition in other contexts and situations and emphasizes the introduction of every sonnet placing them within other stanzas and anticipating their appearance throughout the dialogue. Moreover, similar to El mayor monstruo del mundo and A secreto agravio, secreta venganza, in these two new plays Calderón could be using these sonnets to emphasize them in multiple ways.
dc.relation.ispartof	Library of Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2017-07-03
dc.dateAccepted	2016-06-15
dc.dateSubmitted	2015-07-23
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-164-5/de-sonetos-calderonianos/
dc.identifier.doi	10.14277/6969-163-8/RiB-5-32
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-164-5
dc.identifier.eisbn	978-88-6969-163-8
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Calderón
dc.subject	Calderón
dc.subject	Comedy
dc.subject	Comedy
dc.subject	Sonnets
dc.subject	Sonnets
dc.subject	Versification
dc.subject	Versification

Chapter
open access peer reviewed

De sonetos calderonianos

María José Caamaño Rojo Universidade de Santiago de Compostela, España

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abstract

I would like to analyze the sonnets of two Calderon’s plays, Antes que todo es mi dama and El josé de las mujeres, to prove if the dramatist uses them as he did in El mayor monstruo del mundo or A secreto agravio, secreta venganza, which I have studied previously. The function of the sonnets in these two Calderonian plays is not the common monologue of a character alone on stage; rather, Calderón uses this type of composition in other contexts and situations and emphasizes the introduction of every sonnet placing them within other stanzas and anticipating their appearance throughout the dialogue. Moreover, similar to El mayor monstruo del mundo and A secreto agravio, secreta venganza, in these two new plays Calderón could be using these sonnets to emphasize them in multiple ways.

Accepted

June 15, 2016

Submitted

July 23, 2015

Language

ISBN (PRINT)

978-88-6969-164-5

ISBN (EBOOK)

978-88-6969-163-8

Keywords: Calderón • Comedy • Sonnets • Versification

permalink: http://doi.org/10.14277/6969-163-8/RiB-5-32

Copyright: © 2017 María José Caamaño Rojo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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