Soglia | Threshold
open access | peer reviewedKeywords Cain and Abel’s offering • hortus conclusus • Intarsia • Genealogy • Emilia-Romagna • Museums • Threshold • Iscrizioni • An-icon • Chiese veneziane • Temporality • Disobedience Archive • Image-making • Triumphal arch • Christological narrative • Late medieval art • Renaissance perspective • Vierge ouvrante • Porta clausa • Split Cathedral • William Henry Fox Talbot • Magiciens de la terre, Global Art, Global Art Hist • Threshold symbolism • Religious alterity • Visual identity • Marin Sanudo • Immagini sacre • Immersive art • Choir stalls • Iconography • Medieval Dalmatia • Frescoes • Missionary Collecting • Opening Madonna • Annunciation • Bastiani, Monopoli, Puglia • Moving-image • Reenactment • Urban views • Portali • Chinese collections • Missionary exhibitions
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Pubblicato 22 Dicembre 2025 | Lingua fr, en, it
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