Soglia | Threshold
open access | peer reviewedKeywords Image-making • Renaissance perspective • Vierge ouvrante • Porta clausa • Temporality • Visual identity • Split Cathedral • Religious alterity • Frescoes • Intarsia • An-icon • Museums • Annunciation • Disobedience Archive • Christological narrative • Emilia-Romagna • Choir stalls • Magiciens de la terre, Global Art, Global Art Hist • Threshold • Genealogy • Reenactment • Threshold symbolism • Moving-image • hortus conclusus • Immersive art • William Henry Fox Talbot • Cain and Abel’s offering • Bastiani, Monopoli, Puglia • Marin Sanudo • Missionary exhibitions • Chiese veneziane • Immagini sacre • Late medieval art • Iconography • Urban views • Iscrizioni • Opening Madonna • Triumphal arch • Portali • Medieval Dalmatia • Chinese collections • Missionary Collecting
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Pubblicato Prossimamente | Lingua en, fr, it
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