Rivista | Venezia Arti
Fascicolo monografico | 32 | 2023
Articolo | «Nudi trasfigurati da una strana metamorfosi»
Abstract
The essay examines a group of Alberto Viani’s sculptures, created around the mid-1940s, and characterized by a surrealist declination of the theme of ‘metamorphosis’. In this surrealist context, the theme of ‘metamorphosis’ is interpreted as a hybridization of the human figure with the vegetal, animal and mechanical world. Moreover, the essay intends, on one hand to identify the various visual sources used by the sculptor, on the other, it aims to define the importance of the theme of ‘metamorphosis’ itself. In particular it reflects on the interpretations proposed by the different artists studied by the sculptor (such as Hans Arp, Pablo Picasso, André Masson, Renato Birolli), and the role they played on the imaginative freedom, in an abstract sense, of Viani’s oeuvre.
Presentato: 10 Settembre 2023 | Accettato: 16 Ottobre 2023 | Pubblicato 20 Dicembre 2023 | Lingua: it
Keywords Birolli • Biomorphic Abstraction • Viani • Arp • Masson • Forties • Picasso • Metamorphosis
Copyright © 2023 Emanuele Greco. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01/007