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Campo DC	Valore
dc.identifier	ECF_article_6662
dc.title	Le «copie-opere d’arte» di Antonio Guardi. La commissione Gradenigo
dc.contributor.author	Bombardini Chiara
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/venezia-arti/2021/1/le-copie-opere-darte-di-antonio-guardi/
dc.description.abstract	This article examines the copy of Paris Bordon’s Consegna dell’anello al doge painted by Antonio Guardi for the nobleman Pietro Gradenigo (1695-1776). The painting will be compared with other copies made by Guardi for Giovanni Paolo and Giovanni Benedetto Giovanelli, for Marshall Schulenburg and the Savorgnan family, in order to emphasise Guardi’s ability to translate masterpieces of other artists into his own language. It will also be highlighted how perfectly the Consegna dell’anello al doge fits into the collection of Gradenigo, who gathered in his palace paintings, sculptures and antiquities that documented the history of Venice and his family. This article looks into the possible contacts of Pietro Gradenigo with Antonio Guardi, starting from a newfound study of documents and the relationships of the nobleman with other scholars and Guardi’s patrons.
dc.relation.ispartof	Venezia Arti
dc.relation.ispartof	Vol. 30 \| Dicembre 2021
dc.issued	2021-12-21
dc.dateAccepted	2021-08-23
dc.dateSubmitted	2021-07-22
dc.identifier.issn
dc.identifier.eissn	2385-2720
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/VA/2385-2720/2021/07/004
dc.peer-review	yes
dc.subject	Collecting
dc.subject	Collecting
dc.subject	Copying
dc.subject	Copying
dc.subject	Gradenigo, Pietro
dc.subject	Gradenigo, Pietro
dc.subject	Guardi, Antonio
dc.subject	Guardi, Antonio
dc.subject	Painting
dc.subject	Painting
dc.subject	Venice
dc.subject	Venice

Articolo
open access peer reviewed

Le «copie-opere d’arte» di Antonio Guardi

La commissione Gradenigo

Chiara Bombardini Università degli Studi di Padova, Italia

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abstract

This article examines the copy of Paris Bordon’s Consegna dell’anello al doge painted by Antonio Guardi for the nobleman Pietro Gradenigo (1695-1776). The painting will be compared with other copies made by Guardi for Giovanni Paolo and Giovanni Benedetto Giovanelli, for Marshall Schulenburg and the Savorgnan family, in order to emphasise Guardi’s ability to translate masterpieces of other artists into his own language. It will also be highlighted how perfectly the Consegna dell’anello al doge fits into the collection of Gradenigo, who gathered in his palace paintings, sculptures and antiquities that documented the history of Venice and his family. This article looks into the possible contacts of Pietro Gradenigo with Antonio Guardi, starting from a newfound study of documents and the relationships of the nobleman with other scholars and Guardi’s patrons.

Pubblicato

21 Dicembre 2021

Accettato

23 Agosto 2021

Presentato

22 Luglio 2021

Lingua

Keywords: Collecting • Copying • Gradenigo, Pietro • Painting • Venice • Guardi, Antonio

permalink http://doi.org/10.30687/VA/2385-2720/2021/07/004

Copyright: © 2021 Chiara Bombardini. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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