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Correggio, Anselmi e Rondani

Firme d’artista nella Scuola di Parma

Elisabetta Fadda    Università degli Studi di Parma, Italia    

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abstract

Antonius Laetus, Hirundo: these are the latinized signatures of Antonio Allegri called Correggio and his assistant from Parma Francesco Maria Rondani. Michelangelo Anselmi instead, signed one of his altarpiece with a cabalistic writing method. That was one of the encrypted alphabet used by Cornelio Agrippa. According to previous studies, often the artist name matches with his portrait. On the contrary this essay analyzes signatures, words and their variant spelling as a signifiant, as images translating a message, in the same way as in a calligram or a rebus.

Pubblicato
20 Dicembre 2017
Presentato
13 Luglio 2017
Lingua
IT

Keywords: ParmaRebus

Copyright: © 2017 Elisabetta Fadda. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.