Rivista | JoLMA
Fascicolo | 5 | 1 | 2024
Articolo | Dáiddakárta
Dáiddakárta
Abstract
This article explores contemporary art practices in Sápmi which utilise maps as a tool and medium. The importance of the artist Hans Ragnar Mathisen’s abundant maps from the mid-1970s is acknowledged, and furthermore the article looks into examples from the next generation Sámi artists who create dáiddakárta, which literally translates to art maps. Although not a traditional Sámi way of mapping and orientating in the landscape, dáiddakárt is significant in representing Indigenous people, in knowledge production, decolonial resistance, and reconciliation. Various dáiddakárta broaden the concept of what a ‘map’ has been, and could be, and contribute to the cartographic representations of other forms of being. Emphasising the concept of worlding helps understand mapping as a constant formation, relation and negotiation, and as a forceful and sometimes activist process, not only rendering or representing a world ‘already there’. Instead, the art maps serve as interpretative, aesthetic and even speculative actors in contemporary society.
Presentato: 07 Febbraio 2024 | Accettato: 15 Marzo 2024 | Pubblicato 26 Luglio 2024 | Lingua: en
Keywords Hans Ragnar Mathisen • Indigenous cartography • Sámi Art • Worlding • Counter-mapping
Copyright © 2024 Elin Haugdal. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/Jolma/2723-9640/2024/01/006
