The Art of Mapping Between Land and Mind
open access | peer reviewed-
a cura di
- Francesco Ragazzi - Ca' Foscari University of Venice - email
In the creation of maps, scientific knowledge related to mathematics and physics combines with knowledge specific to graphic or artistic disciplines. Since all maps are artifacts whose aesthetic qualities convey information that simultaneously engages the fields of ontology, epistemology, and politics, they are objects of undeniable interest for philosophical inquiry. Following what has been termed “the cartographic turn in social sciences”, The Art of Mapping Between Land and Mind delves into two intertwining issues. On one side, it examines how the aesthetic properties of maps convey cognitive, cultural, and political meanings. On the other, it explores the role of visual arts in reflecting on cartographic thought, shaping both its methods and motivations. The volume is divided into four sections. Embracing the point of view of both the philosopher and the geographer, the first one sheds light on the relationship between epistemology and cartography (Kukla; Costantini; Tanney). The second addresses mapmaking as an art form (Tanca; Haugdal) or, conversely, considers maps from the perspective of their aesthetic properties (Török; Ogundiwin; Elhaik). The third focuses on the digital condition of today’s cartography (Tschochohei; Quaranta; Keller). Finally, the last section includes two contributions that represent attempts to guide cartography toward its future (Bosca; Ianniello). Opening this issue, a special essay by Elizabeth Povinelli offers a generous précis of her upcoming book.
Keywords Digitalisation • Sea • Italian colonial cartography • Conceptual analysis • Worlding • Monsters • Art • Cartography • Nelson Goodman • Physical Geography • Maps • Scopic regime • Cetaceans • Contemporary art • Conceptual cartography • Digital • Symbol • Fluidity • Mind • Geontopower • Libyan Desert • Sámi Art • Spatiality • Machine gaze • Strait • Ryle • Territory • Indigenous cartography • Systematic ambiguity • Counter-mapping • Transcendental illusion • Marine ecology • Symbolic Representation • Allegory • Blank spot • Mapping • Hans Ragnar Mathisen • Mapping processes • Race • Representational Risk • Ocean • Philosophy • Sound • Climate-change • Michel Serres • Epistemic Risk • Topographic mapping • Ecology • Category-mistake • Eco-dystopia • Geographic Information Systems • Palimpsest • Recording • Semiotics • Cartographic Styles • Drone photography • Surveillance technologies • Biston betularia carbonaria • Vertical perspective • Yorùbáland • Aesthetics in Science • Geographic ontology • Geography • Walter Benjamin • Clouds • Epistemology • Iconology • Logic • Hyperobjects • Settler Colonialism • Immanuel Kant • System • Map
Permalink http://doi.org/10.30687/Jolma/2723-9640/2024/01 | Pubblicato 26 Luglio 2024 | Lingua en
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