The Art of Mapping Between Land and Mind
open access | peer reviewed-
edited by
- Francesco Ragazzi - Ca' Foscari University of Venice - email
In the creation of maps, scientific knowledge related to mathematics and physics combines with knowledge specific to graphic or artistic disciplines. Since all maps are artifacts whose aesthetic qualities convey information that simultaneously engages the fields of ontology, epistemology, and politics, they are objects of undeniable interest for philosophical inquiry. Following what has been termed “the cartographic turn in social sciences”, The Art of Mapping Between Land and Mind delves into two intertwining issues. On one side, it examines how the aesthetic properties of maps convey cognitive, cultural, and political meanings. On the other, it explores the role of visual arts in reflecting on cartographic thought, shaping both its methods and motivations. The volume is divided into four sections. Embracing the point of view of both the philosopher and the geographer, the first one sheds light on the relationship between epistemology and cartography (Kukla; Costantini; Tanney). The second addresses mapmaking as an art form (Tanca; Haugdal) or, conversely, considers maps from the perspective of their aesthetic properties (Török; Ogundiwin; Elhaik). The third focuses on the digital condition of today’s cartography (Tschochohei; Quaranta; Keller). Finally, the last section includes two contributions that represent attempts to guide cartography toward its future (Bosca; Ianniello). Opening this issue, a special essay by Elizabeth Povinelli offers a generous précis of her upcoming book.
Keywords Epistemology • Recording • Immanuel Kant • Conceptual cartography • Geographic ontology • Geography • Italian colonial cartography • Physical Geography • Category-mistake • Conceptual analysis • Sound • Ecology • Fluidity • Philosophy • Spatiality • Symbolic Representation • Art • Marine ecology • Topographic mapping • Surveillance technologies • Ocean • Epistemic Risk • Eco-dystopia • Semiotics • Digital • Mapping • Nelson Goodman • Vertical perspective • Drone photography • Cetaceans • Yorùbáland • Biston betularia carbonaria • Settler Colonialism • Indigenous cartography • Monsters • Contemporary art • Transcendental illusion • Race • Hyperobjects • Digitalisation • Logic • Strait • Cartographic Styles • Walter Benjamin • Geographic Information Systems • Clouds • Scopic regime • Cartography • Map • Ryle • Blank spot • Systematic ambiguity • Sámi Art • Representational Risk • Hans Ragnar Mathisen • Mapping processes • Michel Serres • Allegory • Worlding • Machine gaze • Symbol • Climate-change • System • Palimpsest • Sea • Iconology • Territory • Geontopower • Maps • Libyan Desert • Mind • Counter-mapping • Aesthetics in Science
Permalink http://doi.org/10.30687/Jolma/2723-9640/2024/01 | Published July 26, 2024 | Language en
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