Rivista | JoLMA
Fascicolo monografico | 2 | 1 | 2021
Articolo | The Productive Inadequacy of Image for Contemporary Painting
The Productive Inadequacy of Image for Contemporary Painting
Abstract
This article considers the productive inadequacy of image for contemporary painting. The mutability of image is tested against the material, spatial and durational conditions of painting, and the attentional attachments it might mobilize through an examination of the working methods of Beth Harland, Jacqueline Humphries and R.H.Quaytman. Painting is not positioned as image, but as a processor of image information, able to prompt an image response, A resistance to image is framed by the art historical and philosophical legacy of image expectations and preclusions that each artist feels compelled to work against, and the expanding opticality of our contemporary social, cultural and economic interactions.
Presentato: 16 Marzo 2021 | Pubblicato 30 Giugno 2021 | Lingua: it
Keywords Image • Contemporary painting • Jacqueline Humphries • R H Quaytman • Beth Harland
Copyright © 2021 Moyra Derby. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/Jolma/2723-9640/2021/01/012
