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open access | peer reviewedKeywords Alegoría • Twenty-first century • Democratic transition • Siglo XXI • Latin American writers • Allegory • Rest • Modernism • Pere Gimferrer • Traduzione della canzone • Literary publishing • Spanish theatre of the seventeenth century • Theater • Alma y vida • Catastrophe • Photograph • Review • Civil-military dictatorship • Luis Vélez de Guevara • Cultural field • Teatro • Canzone d'autore • Edición literaria • Political discourse • Portuguese Revolution • Argentina • Teatro del siglo XVII • El príncipe de la estrella y castillo de la vida • Desaparecidos • Poesía dramática • Literatura finisecular • Avant-garde • Argentine • Campo cultural • Poesía • Resto • Poetry • Modernismo • Seix Barral • Transición democrática • Novels of chivalry • Divulgazione musicale • Fotografía • Siglo de Oro • Teatro galdosiano • Song’s translation • Golden Age • Vanguardia • Escritoras latinoamericanas • Canzone d’autore • Catástrofe • Comedia en colaboración • José Afonso • Discurso político • Musical dissemination • Notas • Plays in collaboration • Galdosian theatre • Notes • Pérez Galdós • Rivoluzione portoghese • Dramatic poetry • Dictadura cívico-militar • Libros de caballerías
Permalink http://doi.org/10.30687/Ri/2037-6588/2025/25 | Pubblicato 12 Dicembre 2025 | Lingua it, es
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