48 | 124 | 2025
open access | peer reviewedKeywords Civil-military dictatorship • Divulgazione musicale • Catástrofe • José Afonso • Pérez Galdós • Rivoluzione portoghese • Edición literaria • Political discourse • Cultural field • El príncipe de la estrella y castillo de la vida • Literatura finisecular • Pere Gimferrer • Notas • Theater • Song’s translation • Transición democrática • Dictadura cívico-militar • Musical dissemination • Avant-garde • Novels of chivalry • Alma y vida • Canzone d'autore • Siglo XXI • Golden Age • Teatro • Catastrophe • Desaparecidos • Modernismo • Alegoría • Allegory • Democratic transition • Traduzione della canzone • Modernism • Libros de caballerías • Luis Vélez de Guevara • Plays in collaboration • Latin American writers • Comedia en colaboración • Portuguese Revolution • Fotografía • Twenty-first century • Literary publishing • Canzone d’autore • Escritoras latinoamericanas • Argentine • Seix Barral • Vanguardia • Resto • Discurso político • Photograph • Argentina • Teatro del siglo XVII • Siglo de Oro • Poesía dramática • Spanish theatre of the seventeenth century • Galdosian theatre • Campo cultural • Poetry • Rest • Review • Teatro galdosiano • Dramatic poetry • Notes • Poesía
Permalink http://doi.org/10.30687/Ri/2037-6588/2025/25 | Published Dec. 12, 2025 | Language es, it
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.