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open access | peer reviewedKeywords Alegoría • Democratic transition • Libros de caballerías • Review • Canzone d'autore • Literary publishing • Argentine • Theater • Transición democrática • Portuguese Revolution • Rest • Teatro • Pere Gimferrer • Desaparecidos • Cultural field • Rivoluzione portoghese • Siglo XXI • Catastrophe • Siglo de Oro • Avant-garde • Plays in collaboration • Campo cultural • Argentina • Alma y vida • Canzone d’autore • Golden Age • Seix Barral • Modernismo • Escritoras latinoamericanas • Notas • Notes • Resto • Traduzione della canzone • Poesía • Edición literaria • Catástrofe • Allegory • Luis Vélez de Guevara • Modernism • Teatro galdosiano • Twenty-first century • Galdosian theatre • Latin American writers • Vanguardia • Comedia en colaboración • El príncipe de la estrella y castillo de la vida • Spanish theatre of the seventeenth century • Dictadura cívico-militar • Poetry • Literatura finisecular • Civil-military dictatorship • Photograph • Poesía dramática • Fotografía • Dramatic poetry • Divulgazione musicale • Teatro del siglo XVII • Novels of chivalry • Political discourse • Pérez Galdós • Musical dissemination • Song’s translation • Discurso político • José Afonso
Permalink http://doi.org/10.30687/Ri/2037-6588/2025/25 | Published Dec. 12, 2025 | Language es, it
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