48 | 124 | 2025
open access | peer reviewedKeywords Pérez Galdós • Transición democrática • Catástrofe • Escritoras latinoamericanas • Vanguardia • Political discourse • Plays in collaboration • Comedia en colaboración • Libros de caballerías • Notes • Discurso político • Dictadura cívico-militar • Fotografía • Latin American writers • Teatro galdosiano • Divulgazione musicale • Literary publishing • Musical dissemination • Campo cultural • José Afonso • Argentine • Poetry • Seix Barral • Civil-military dictatorship • Poesía dramática • Alma y vida • Dramatic poetry • Modernismo • Song’s translation • Rest • Allegory • Pere Gimferrer • Siglo de Oro • Resto • Galdosian theatre • Canzone d'autore • Modernism • Catastrophe • Canzone d’autore • Rivoluzione portoghese • Photograph • Traduzione della canzone • Avant-garde • Democratic transition • Argentina • Spanish theatre of the seventeenth century • Twenty-first century • Poesía • Teatro • Cultural field • Review • Theater • Portuguese Revolution • Notas • Novels of chivalry • El príncipe de la estrella y castillo de la vida • Teatro del siglo XVII • Siglo XXI • Literatura finisecular • Edición literaria • Luis Vélez de Guevara • Desaparecidos • Alegoría • Golden Age
Permalink http://doi.org/10.30687/Ri/2037-6588/2025/25 | Published Dec. 12, 2025 | Language es, it
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