48 | 124 | 2025
open access | peer reviewedKeywords Alegoría • Rest • Siglo XXI • Escritoras latinoamericanas • Fotografía • Edición literaria • Galdosian theatre • Notas • Teatro galdosiano • Review • Traduzione della canzone • Civil-military dictatorship • Avant-garde • Siglo de Oro • Divulgazione musicale • Catástrofe • Catastrophe • Photograph • Vanguardia • Dictadura cívico-militar • Literatura finisecular • Transición democrática • Twenty-first century • Song’s translation • Argentine • Argentina • Democratic transition • Notes • Spanish theatre of the seventeenth century • Portuguese Revolution • Campo cultural • Latin American writers • José Afonso • Alma y vida • Poesía dramática • Literary publishing • Libros de caballerías • Teatro • Allegory • Canzone d’autore • Desaparecidos • Theater • Seix Barral • Rivoluzione portoghese • Pérez Galdós • Pere Gimferrer • Political discourse • Modernism • Musical dissemination • Cultural field • Novels of chivalry • Poesía • Resto • Dramatic poetry • Poetry • Plays in collaboration • Golden Age • Comedia en colaboración • Teatro del siglo XVII • Canzone d'autore • El príncipe de la estrella y castillo de la vida • Discurso político • Luis Vélez de Guevara • Modernismo
Permalink http://doi.org/10.30687/Ri/2037-6588/2025/25 | Published Dec. 12, 2025 | Language es, it
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