48 | 124 | 2025
open access | peer reviewedKeywords Teatro del siglo XVII • Political discourse • Divulgazione musicale • Poetry • Democratic transition • Luis Vélez de Guevara • Escritoras latinoamericanas • Modernism • Dictadura cívico-militar • Galdosian theatre • Modernismo • Novels of chivalry • Alma y vida • Spanish theatre of the seventeenth century • Catástrofe • Siglo XXI • Catastrophe • Canzone d’autore • Alegoría • Theater • Campo cultural • Seix Barral • Desaparecidos • Dramatic poetry • Photograph • Plays in collaboration • Literary publishing • Cultural field • Musical dissemination • Twenty-first century • Discurso político • Song’s translation • Literatura finisecular • Review • Siglo de Oro • Argentine • Comedia en colaboración • Canzone d'autore • Fotografía • Poesía dramática • Rest • Vanguardia • Edición literaria • Notes • Pere Gimferrer • Poesía • Latin American writers • Libros de caballerías • Portuguese Revolution • Notas • Pérez Galdós • Traduzione della canzone • Resto • Teatro galdosiano • José Afonso • Argentina • Civil-military dictatorship • Allegory • Avant-garde • Golden Age • El príncipe de la estrella y castillo de la vida • Rivoluzione portoghese • Teatro • Transición democrática
Permalink http://doi.org/10.30687/Ri/2037-6588/2025/25 | Pubblicato 12 Dicembre 2025 | Lingua it, es
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