14 | 2025

Keywords Conservation • Bijin-ga • Chile • Painting conservation and restoration • Ukiyo-e • Artwork Dispersal • Art Collecting • Classical sculpture • Ornament • Academy of Fine Arts • Dispersions • Archaeometry • Japan • Transculturality • Pietro Palmaroli • Cultural identity • Artworks Dispersal • Women artists • Art market • Bronze statuettes • Grimani Palace • Venice • Grimani Collection • Collecting • Circulation • Museums • Digital humanities • Kingston Lacy • Sacred space • Valorization • Mosaic • Neo-Gothic • Habsburgs • France • Architecture • Japonism • James Irvine • Nineteenth century • Travel diary

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2025/01 | Pubblicato 09 Dicembre 2025 | Lingua en, it, es

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