14 | 2025

Keywords Grimani Collection • Japan • Cultural identity • Painting conservation and restoration • Grimani Palace • Sacred space • Art Collecting • Japonism • Art market • Collecting • Dispersions • Women artists • Bijin-ga • Artworks Dispersal • Habsburgs • Transculturality • Museums • Pietro Palmaroli • Conservation • Digital humanities • Neo-Gothic • Ornament • Travel diary • Architecture • Bronze statuettes • Circulation • France • Nineteenth century • Chile • James Irvine • Archaeometry • Ukiyo-e • Kingston Lacy • Venice • Mosaic • Artwork Dispersal • Valorization • Classical sculpture • Academy of Fine Arts

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2025/01 | Published Dec. 9, 2025 | Language es, en, it

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