14 | 2025

Keywords Artwork Dispersal • Pietro Palmaroli • Japan • Art Collecting • Digital humanities • Japonism • Circulation • Bijin-ga • Dispersions • Bronze statuettes • Chile • Ornament • Conservation • Cultural identity • Neo-Gothic • Art market • Classical sculpture • Valorization • Academy of Fine Arts • Nineteenth century • Architecture • Artworks Dispersal • Museums • Women artists • Habsburgs • James Irvine • Mosaic • Archaeometry • Travel diary • Grimani Palace • Collecting • Venice • Painting conservation and restoration • Transculturality • France • Kingston Lacy • Sacred space • Ukiyo-e • Grimani Collection

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2025/01 | Published Dec. 9, 2025 | Language es, en, it

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