14 | 2025

Keywords Art Collecting • Pietro Palmaroli • Grimani Collection • Grimani Palace • Ukiyo-e • James Irvine • Ornament • Museums • Valorization • Kingston Lacy • Mosaic • Japonism • Nineteenth century • Artwork Dispersal • Habsburgs • Collecting • Women artists • Neo-Gothic • Bronze statuettes • Cultural identity • Archaeometry • Painting conservation and restoration • Transculturality • Conservation • Academy of Fine Arts • France • Sacred space • Japan • Circulation • Artworks Dispersal • Venice • Architecture • Digital humanities • Travel diary • Art market • Classical sculpture • Dispersions • Bijin-ga • Chile

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2025/01 | Published Dec. 9, 2025 | Language es, it, en

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