14 | 2025

Keywords James Irvine • Artwork Dispersal • Artworks Dispersal • Ornament • Transculturality • Nineteenth century • Art market • Classical sculpture • Venice • Circulation • Art Collecting • Painting conservation and restoration • Grimani Collection • Architecture • Travel diary • Archaeometry • Bronze statuettes • Sacred space • France • Academy of Fine Arts • Habsburgs • Japan • Bijin-ga • Collecting • Pietro Palmaroli • Conservation • Museums • Valorization • Digital humanities • Ukiyo-e • Grimani Palace • Women artists • Kingston Lacy • Neo-Gothic • Cultural identity • Dispersions • Japonism • Mosaic • Chile

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2025/01 | Published Dec. 9, 2025 | Language en, es, it

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