14 | 2025

Keywords Venice • Chile • Grimani Collection • Ornament • Archaeometry • Painting conservation and restoration • Neo-Gothic • James Irvine • Mosaic • Grimani Palace • Classical sculpture • Digital humanities • Valorization • Japan • Dispersions • Bijin-ga • Transculturality • Women artists • Art Collecting • Pietro Palmaroli • Circulation • Conservation • Academy of Fine Arts • Cultural identity • Kingston Lacy • Sacred space • Artwork Dispersal • Architecture • Japonism • Bronze statuettes • Nineteenth century • Collecting • Art market • Artworks Dispersal • Habsburgs • Travel diary • Museums • France • Ukiyo-e

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2025/01 | Pubblicato 09 Dicembre 2025 | Lingua es, en, it

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