14 | 2025

Keywords Pietro Palmaroli • Archaeometry • Collecting • Ornament • France • Habsburgs • Cultural identity • Sacred space • Mosaic • Chile • Painting conservation and restoration • Art Collecting • Digital humanities • Ukiyo-e • Japonism • Venice • Bronze statuettes • Kingston Lacy • Dispersions • Bijin-ga • Academy of Fine Arts • Japan • Neo-Gothic • Artwork Dispersal • Transculturality • Museums • Classical sculpture • Nineteenth century • Grimani Collection • Women artists • Architecture • Art market • Grimani Palace • Travel diary • Circulation • Artworks Dispersal • Conservation • Valorization • James Irvine

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2025/01 | Pubblicato 09 Dicembre 2025 | Lingua it, en, es

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