14 | 2025

Keywords Chile • Japonism • Neo-Gothic • Bijin-ga • Academy of Fine Arts • Collecting • Pietro Palmaroli • Digital humanities • Transculturality • Classical sculpture • Dispersions • Architecture • Art market • Conservation • Circulation • Valorization • Archaeometry • France • Artworks Dispersal • Grimani Palace • Nineteenth century • Ornament • Art Collecting • Travel diary • Artwork Dispersal • Bronze statuettes • James Irvine • Painting conservation and restoration • Venice • Grimani Collection • Sacred space • Ukiyo-e • Museums • Mosaic • Women artists • Cultural identity • Japan • Kingston Lacy • Habsburgs

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2025/01 | Pubblicato 09 Dicembre 2025 | Lingua it, es, en

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