Rivista |
Il Tolomeo
Fascicolo | 20 | 2018
Keywords Patrick McCabe • Rhetoric figure • Caribbean songs • Poetry • Lyonel Trouillot • Music • Style • Linguistic musicality • Subversion • Haitian literature • Interculturalism • Science of Rhythm • Aesthetic-real • Carnival • Ethnography • Masque • Translation as hermeneutic process • Biennale 2018 • Caribbean literature • Said • Elgar • Fantastic • Linguistic characterisation • Styleme • Stylistics • Caribbean • Historical-real • Bakhtin • Embodied reading • Marasa and zombie • Venice Architecture • Algeria • Music and semiotics • Figure of the prostitute • Diaspora • History • Power and subjectivity • Stanley Péan • Trace • Hamilton • Intertextuality • Translation as negotiation • Art • Haïtianité • Kannjawou • Joyce • Caribbean music • Mixed languages • Francophone literature • Depestre • Identity • Imperialism
Permalink http://doi.org/10.30687/Tol/2499-5975/2018/04 | Pubblicato 21 Dicembre 2018 | Lingua it, fr, en
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