Il poeta Vate e il poeta attore
Il d’Annunzio di Carmelo Bene
abstract
This paper focuses on d’Annunzio and Carmelo Bene. Namely, it is dedicated to the reading actor’s of the tragedy La figlia di Iorio and to the performance realised at the Teatro all’Angelo in Rome (1999). The relationship between the actor and d’Annunzio determines a significant evolution of Carmelo Bene’s art, which is linked to the theme of myth and primitiveness.
Keywords: Tragedies • Actor and dramatist • D’Annunzio • Carmelo Bene • Myth