Collana | Quaderni di Venezia Arti
Miscellanea | In my End is my Beginning
Capitolo | Home Away From Home
Abstract
Fashion often mirrors societal crises, embodying both human finitude and the hunger for renewal. Ernesto De Martino’s anthropological perspective highlights how crises challenge cultural continuity. Hussein Chalayan’s 2000 collection, After Words, exemplifies fashion’s power to address such themes, using garments to represent the displacement and survival of war refugees. Chalayan’s conceptual approach underscores fashion’s potential to provoke thought beyond conventional imagery. By blending creative, anthropological, and sociological insights, fashion can profoundly engage with and reflect on societal upheavals.
Presentato: 01 Ottobre 2024 | Pubblicato 11 Dicembre 2024 | Lingua: en
Keywords Crisis imagery • War • Anticlimax • Fashion • Dichotomy
Copyright © 2024 Marta Del Mutolo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-878-1/016
Through Language: On Form and Meaning
Through Exhibitions and Archives: Inquiries on the Sociopolitical Engagement of Cultural Institutions
Through the Zone of Interest: Reframing the Identity and its Geographies
Through the Human: The Anthropos on the Stage of Crisis
Through Montage: Choreographies of Thought in a Field of Forces
Through the History of Things: On Objects and Their Role in Cultural and Historical Crises
Through Iconographies: Interpreting Symbols of Bewilderment
Coda
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_21630 |
dc.contributor.author |
Del Mutolo Marta |
dc.title |
Home Away From Home. The Crisis and Escape Addressed by Hussein Chalayan's After Words Fashion Show |
dc.type |
Capitolo |
dc.language.iso |
en |
dc.description.abstract |
Fashion often mirrors societal crises, embodying both human finitude and the hunger for renewal. Ernesto De Martino’s anthropological perspective highlights how crises challenge cultural continuity. Hussein Chalayan’s 2000 collection, After Words, exemplifies fashion’s power to address such themes, using garments to represent the displacement and survival of war refugees. Chalayan’s conceptual approach underscores fashion’s potential to provoke thought beyond conventional imagery. By blending creative, anthropological, and sociological insights, fashion can profoundly engage with and reflect on societal upheavals. |
dc.relation.ispartof |
Quaderni di Venezia Arti |
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
dc.issued |
2024-12-11 |
dc.dateSubmitted |
2024-10-01 |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-878-1/home-away-from-home/ |
dc.identifier.doi |
10.30687/978-88-6969-878-1/016 |
dc.identifier.eissn |
2784-8868 |
dc.identifier.isbn |
|
dc.identifier.eisbn |
978-88-6969-878-1 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
dc.subject |
Anticlimax |
dc.subject |
Crisis imagery |
dc.subject |
Dichotomy |
dc.subject |
Fashion |
dc.subject |
War |
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