John Ruskin, un œil européen

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Campo DC	Valore
dc.identifier	ECF_chapter_4849
dc.contributor.author	Frangne Pierre-Henry
dc.title	John Ruskin, un œil européen. La photographie, la peinture, l’écriture et l’énigme de la visibilité
dc.type	Capitolo
dc.language.iso	fr
dc.description.abstract	My analysis of the question of sight, vision, gaze and the visible in John Ruskin’s work will consist of three moments: 1) the delimitation of the problem I propose to address, 2) the photographic temptation that was Ruskin’s, 3) the question of the innocence of the eye and the pure visibility that makes Ruskin a central maillon in the European aesthetics of the 19th and 20th centuries. The aim is to show how the English writer plays an important role in contemporary thinking about visibility in its artistic, scientific, aesthetic and philosophical implications. Since for Ruskin, «seeing involves the whole man».
dc.relation.ispartof	Fonti, letterature, arti e paesaggi d’Europa
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2020-12-15
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-488-2/john-ruskin-un-il-europeen/
dc.identifier.doi	10.30687/978-88-6969-487-5/004
dc.identifier.issn	2724-6620
dc.identifier.eissn	2784-8507
dc.identifier.isbn	978-88-6969-488-2
dc.identifier.eisbn	978-88-6969-487-5
dc.rights	Creative Commons 4.0 Attribution + Noncommercial + NoDerivatives
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Aesthetics of the 19th and 20th century
dc.subject	Aesthetics of the 19th and 20th century
dc.subject	European aesthetics
dc.subject	European aesthetics
dc.subject	John Ruskin
dc.subject	John Ruskin
dc.subject	Optical thinker
dc.subject	Optical thinker
dc.subject	Photography
dc.subject	Photography

Capitolo
open access

John Ruskin, un œil européen

La photographie, la peinture, l’écriture et l’énigme de la visibilité

Pierre-Henry Frangne Université Rennes 2, France

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abstract

My analysis of the question of sight, vision, gaze and the visible in John Ruskin’s work will consist of three moments: 1) the delimitation of the problem I propose to address, 2) the photographic temptation that was Ruskin’s, 3) the question of the innocence of the eye and the pure visibility that makes Ruskin a central maillon in the European aesthetics of the 19th and 20th centuries. The aim is to show how the English writer plays an important role in contemporary thinking about visibility in its artistic, scientific, aesthetic and philosophical implications. Since for Ruskin, «seeing involves the whole man».

Pubblicato

15 Dicembre 2020

Lingua

ISBN (PRINT)

978-88-6969-488-2

ISBN (EBOOK)

978-88-6969-487-5

Keywords: John Ruskin • Photography • European aesthetics • Optical thinker • Aesthetics of the 19th and 20th century

permalink: http://doi.org/10.30687/978-88-6969-487-5/004

Copyright: © 2020 Pierre-Henry Frangne. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY-NC-ND). The use, distribution or reproduction is permitted in unadapted form only and provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. You may not use the material for commercial purposes. No use, distribution or reproduction is permitted which does not comply with these terms.

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