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Dispatrio come morte e rinascita

Julio Monteiro Martins tra Brasile e Italia 

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Abstract

The works of Julio Monteiro Martins are analyzed in relation to the exile’s experience with an assessment of the elements of continuity between his Brazilian and Italian production. Despite the author’s reference to his own migration as a «controlled suicide» and rebirth, an evolving line can be traced in his fiction in the persistence of similar themes, narrative structures, and stylistic conventions, even if it is clear that working during the period of dictatorship and as an exponent of the novíssima literatura brasileira, the author had different priorities than when he was living as an intellectual in Italy. Therefore both Portuguese and Italian short stories are compared and examined, as well as his experimental novel madrelingua, with particular attention to Monteiro Martin’s aptitude for combining long and short narrative and different literary traditions.


Open access | Peer reviewed

Lingua: it

Keywords Italophon literature • Translingual literature • Brazilian literature • Bilingualism • Julio Monteiro Martins

Copyright © 2016 Rosanna Morace. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.14277/6969-112-6/DSP-6-5


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