Border hacking: An Artistic Conversion of Transnational Borders into the…

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DC Field	Value
dc.identifier	ECF_article_3457
dc.title	Border hacking: An Artistic Conversion of Transnational Borders into the Society of Networks
dc.contributor.author	Berti Paolo
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.type	Research Article
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/venezia-arti/2020/1/border-hacking-una-conversione-artistica-dei-confi/
dc.description.abstract	Through the category of ‘border hack’ (proposed by Rita Raley) and the analysis of three meaningful artworks (Transborder Immigrant Tool by Electronic Disturbance Theatre 2.0 and b.a.n.g. lab, BorderXing Guide by Heath Bunting and Shadows from Another Place by Paula Levine), the aim of this article is to investigate the aesthetic-political practices around the notion of transnational border. These are works of a performative nature and are linked to the networked environment of the Internet. They exemplify a brand-new season of New Media Art, in which the electromagnetic armamentarium of satellite positioning systems and mobile devices takes on a tactical dimension of confrontation with the equally technological governmental-military strategies of border surveillance and identity control.
dc.relation.ispartof	Venezia Arti
dc.relation.ispartof	Vol. 29 \| December 2020
dc.issued	2020-12-11
dc.dateAccepted	2020-09-09
dc.dateSubmitted	2020-07-20
dc.identifier.issn
dc.identifier.eissn	2385-2720
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/VA/2385-2720/2020/01/010
dc.peer-review	yes
dc.subject	Electronic disobedience
dc.subject	Electronic disobedience
dc.subject	Hybrid space
dc.subject	Hybrid space
dc.subject	New media art
dc.subject	New media art
dc.subject	Security
dc.subject	Security
dc.subject	Tactical media
dc.subject	Tactical media

Research Article
open access peer reviewed

Border hacking: An Artistic Conversion of Transnational Borders into the Society of Networks

Paolo Berti Sapienza Università di Roma, Italia

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abstract

Through the category of ‘border hack’ (proposed by Rita Raley) and the analysis of three meaningful artworks (Transborder Immigrant Tool by Electronic Disturbance Theatre 2.0 and b.a.n.g. lab, BorderXing Guide by Heath Bunting and Shadows from Another Place by Paula Levine), the aim of this article is to investigate the aesthetic-political practices around the notion of transnational border. These are works of a performative nature and are linked to the networked environment of the Internet. They exemplify a brand-new season of New Media Art, in which the electromagnetic armamentarium of satellite positioning systems and mobile devices takes on a tactical dimension of confrontation with the equally technological governmental-military strategies of border surveillance and identity control.

Published

Dec. 11, 2020

Accepted

Sept. 9, 2020

Submitted

July 20, 2020

Language

Keywords: New media art • Hybrid space • Tactical media • Electronic disobedience • Security

permalink http://doi.org/10.30687/VA/2385-2720/2020/01/010

Copyright: © 2020 Paolo Berti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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