MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Aphorisms on Drawing • Nineteenth-century colonial architecture • Alfonso Rubbiani • Corrado Ricci • Tableaux vivants • Andrea Appiani • Giorgio Vasari • King Charles IV in Barcelona • Giuseppe Bacchelli • James Goold • Giovan Battista Piranesi • Set design • Portrait • Adolfo Venturi • Museology • Archaeology • Photography • Pictorial decoration • Art Criticism • Royal palace • Communication bridge • Ravenna • Jacques-Louis David • Napoleon • Feasts • Museum Catalogues • Giacomo Boni • Giovan Battista Bassi • Harding • Bologna • Accademia Clementina • Galleria Nazionale di Parma • Pope Benedict XIV • Angelo Venturoli • Stefano Della Bella • Nineteenth-century Barcelona • San Michele in Bosco • Revolutions • Milan • Railway station • Ephemeral buildings • Neoclassicism • Cesare Beccaria • Restoration • Brera • Living Paintings • Scenography • Catholic Church architecture • William Wardell • Massa Lombarda • Francesco Gandolfi • Ruskin • Australia • Melbourne • Empire • Giuseppe Bossi • Masquerades • Note azzurre • Neoclassicism in Catalonia • Iconography • Historicism • Opera • Romanticism • Museum in Corbetta • Valadier • Gothic Revival style • Pupils • Drawing • Antiquarium Forense • Masters • Rome • Architecture • Urban planning • Pinacoteca di Brera • Solomon Caesar Malan • Piazza San Giovanni • Genoa • Project • Catania • Antoine-Jean Gros • Sculpture • Pompeo Marchesi • Landscape • Vincenzo Martinelli • Carlo Dossi

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language es, it, en

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