Il Tolomeo Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais

Journal | Il Tolomeo
Journal issue | 24 | 2022

24 | 2022

open access | peer reviewed

Keywords Edouard Glissant • Francophonie • Narrativity • Music • Black Literature; Intersectionality; Displacement; • Italian translations • Double consciousness • Transmedia narratology • Aimé Césaire • Faïza Guène • Healing • Empathy • La discrétion • Global society • Reception of Haitian literature • Migration • Postcolonialism • Enactment • Beur • Chika Unigwe • Classics • Ennio Flaiano • Intermediality • Diego Garcia • Multimodal mental imagery • Rap music • Spirituals • Postcolonial identity and subjectivity • Négritude • The trafficking of Nigerian women • Cultural difference • Missionary discourse • Trauma • Literary journals • Post-colonial • Sound studies • Memoirs • Malemort • Patriarchy • exile • Borders • Definitional linguistic activity • popular culture • La Lézarde • Caribbean ethnopoetics • Intercultural communication • Du Bois • Archipelago aesthetics • Quebec literature • Transmediality • Romantic epic • Embodied cognition • Emotions • Gender • Sublime beauty • spoliation • Cinematography • The Souls of Black Folk • Youssoupha • Citizenship • Haitian literature • Affective focalization

Permalink http://doi.org/10.30687/Tol/2499-5975/2022/01 | Published Dec. 19, 2022 | Language fr, pt, en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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