Journal |
Archivio d’Annunzio
Journal issue | 5 | 2018
Research Article | «No, non il caval sauro, per noi»
«No, non il caval sauro, per noi»
Antifrasi e riferimenti dannunziani nell’opera di Carlo Emilio Gadda
- Antonio Zollino - Università Cattolica del Sacro Cuore, Milano, Italia - email
Abstract
D’Annunzio, according to a Gadda’s remarkable declaration, constituted one of the pillars of his own formation. This paper focused on the controversial relationship between Gadda and d’Annunzio: after an initial infatuation, the more grounded Gadda takes on openly critical and parodic positions (in his works, but especially in some sarcastic epistolary communications with Gianfranco Contini). This attitude, however, is not constant over time and leaves place for unequivocal appreciation of the overall figure and specific areas of d’Annunzio’s production.
Submitted: Jan. 31, 2018 | Accepted: May 10, 2018 | Published Nov. 20, 2018 | Language: it
Keywords Gadda • Literary sources • 1900’s Italian literature • Cultural education • D’Annunzio
Copyright © 2018 Antonio Zollino. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/AdA/2421-292X/2018/05/009
Introductory Chapters
- Introduzione
- Nov. 20, 2018
- Notizie dell’Edizione Nazionale
- Nov. 20, 2018
Dannunziana Workshop. Contra d’Annunzio
-
Nuove gocciole dal bosco dannunziano
Altre presenze della Pioggia nel pineto nel Novecento e oltre - Gianfranca Lavezzi
- Nov. 20, 2018
- Di un amico avverso
- Gianni Oliva
- Nov. 20, 2018
- Croce vs d’Annunzio nel Contributo alla critica di me stesso
- Maria Teresa Imbriani
- Nov. 20, 2018
- Pirandello vs d’Annunzio
- Paolo Puppa
- Nov. 20, 2018
- «Figlio di una turbina e di d’Annunzio»: Marinetti edipico?
- Stefano Bragato
- Nov. 20, 2018
-
D’Annunzio, nome comune
Note sulla critica saviniana agli estetismi - Gavino Piga
- Nov. 20, 2018
-
«No, non il caval sauro, per noi»
Antifrasi e riferimenti dannunziani nell’opera di Carlo Emilio Gadda - Antonio Zollino
- Nov. 20, 2018
-
La linea stilistica della «chiarezza poetica»
Comisso vs d’Annunzio - Ilaria Crotti
- Nov. 20, 2018
-
«Il rancore servile dei troppi»
Antidannunzianesimo di provincia - Mirko Menna
- Nov. 20, 2018
- Gabriele d’Annunzio «grande plagiario al cospetto di Dio»
- Maria Rosa Giacon
- Nov. 20, 2018
Civiltà dannunziana
- D’Annunzio ‘grecista’ in appendice a Primo vere
- Luca Chapelle
- Nov. 20, 2018
Reviews
- Crotti, Ilaria (2016). Lo scrittoio imaginifico. Volti e risvolti del d'Annunzio narratore. Avellino: Edizioni Sinestesie, 225 pp.
- Maria Rosa Giacon
- Nov. 20, 2018
- Leoncini, Paolo (2017). Emilio Cecchi. L’etica del visivo e lo Stato liberale. Con appendice di testi giornalistici rari. L’etica e la sua funzione antropologica. Lecce: Milella, 336 pp.
- Elena Sbrojavacca
- Nov. 20, 2018
- D’Annunzio, Gabriele (2018). Francesca da Rimini, a cura di Donato Pirovano. Roma: Salerno Editrice, 274 pp.
- Federica Maria Giallombardo
- Nov. 20, 2018
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Zollino, Antonio. ‘«No, Non Il Caval Sauro, Per Noi»
Antifrasi e Riferimenti Dannunziani Nell’opera...
Zollino, Antonio. ‘«No, Non Il Caval Sauro, Per Noi»
Antifrasi e Riferimenti Dannunziani Nell’opera...
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_1549 |
|
dc.title |
«No, non il caval sauro, per noi». Antifrasi e riferimenti dannunziani nell’opera di Carlo Emilio Gadda |
|
dc.contributor.author |
Zollino Antonio |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.type |
Research Article |
|
dc.language.iso |
it |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/archivio-dannunzio/2018/1/no-non-il-caval-sauro-per-noi/ |
|
dc.description.abstract |
D’Annunzio, according to a Gadda’s remarkable declaration, constituted one of the pillars of his own formation. This paper focused on the controversial relationship between Gadda and d’Annunzio: after an initial infatuation, the more grounded Gadda takes on openly critical and parodic positions (in his works, but especially in some sarcastic epistolary communications with Gianfranco Contini). This attitude, however, is not constant over time and leaves place for unequivocal appreciation of the overall figure and specific areas of d’Annunzio’s production. |
|
dc.relation.ispartof |
Archivio d’Annunzio |
|
dc.relation.ispartof |
Vol. 5 | October 2018 |
|
dc.issued |
2018-11-20 |
|
dc.dateAccepted |
2018-05-10 |
|
dc.dateSubmitted |
2018-01-31 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2421-292X |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.30687/AdA/2421-292X/2018/05/009 |
|
dc.peer-review |
yes |
|
dc.subject |
1900’s Italian literature |
|
dc.subject |
1900’s Italian literature |
|
dc.subject |
Cultural education |
|
dc.subject |
Cultural education |
|
dc.subject |
D’Annunzio |
|
dc.subject |
D’Annunzio |
|
dc.subject |
Gadda |
|
dc.subject |
Gadda |
|
dc.subject |
Literary sources |
|
dc.subject |
Literary sources |
| Download data |