Series |
Ca’ Foscari Japanese Studies
Edited book | The Aesthetics of Emptiness
Chapter | Intorno a Takemitsu e Hosokawa (con una digressione)
Intorno a Takemitsu e Hosokawa (con una digressione)
Presentazione del concerto Due omaggi del 22 febbraio 2022
- Paolo Notargiacomo - Conservatorio di Musica Benedetto Marcello, Venezia, Italia - email
Abstract
In presenting the concert Due omaggi, dedicated to the music of Takemitsu and Hosokawa, but also to the influences and suggestions of Japanese aesthetics on the Western world, the author briefly illustrates the dialogue between European and Japanese music that runs through the entire modern era, from fin de siècle Japaneseism to the most recent neo-avant-garde aesthetics. The history of this long and rich relationship, made up of exchanges, loans, contaminations, mirrorings and mutual identifications, is, in fact, a necessary premise for understanding a large number of elements, choices and aspects that characterise contemporary music on both sides. In the light, then, of this profound liaison, the individual pieces that make up the varied programme are framed and described.
Submitted: March 8, 2023 | Published April 21, 2023 | Language: it
Copyright © 2023 Paolo Notargiacomo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-701-2/003
- Prefazione
- Cecilia Franchini
- April 21, 2023
- Introduzione
- Silvia Rivadossi
- April 21, 2023
Sezione I. «Japan Contemporary Arts in Venice»: presentazioni e recensioni
- L’arte di Ōki Izumi
- Riccardo Caldura
- April 21, 2023
-
Intorno a Takemitsu e Hosokawa (con una digressione)
Presentazione del concerto Due omaggi del 22 febbraio 2022 - Paolo Notargiacomo
- April 21, 2023
-
Review of The Spirit of Japanese Percussions in Venice
Venice, Conservatorio di Musica Benedetto Marcello, 21 February 2022 - Sviatoslav Avilov
- April 21, 2023
-
Recensione di Anche la notte profuma il gelsomino
Venezia, Conservatorio di Musica Benedetto Marcello, 23 febbraio 2022 - Edoardo Pugliese
- April 21, 2023
-
Recensione di De loin à rien
Venezia, Fondazione Ugo e Olga Levi, 24 febbraio 2022 - Anna Dobrucka
- April 21, 2023
-
Toru Takemitsu, Between Tides: al di là del suono e del silenzio
Analisi generale e riflessioni personali sull’opera - Leonardo Francescon
- April 21, 2023
Sezione II. Saggi accademici su vuoti, pieni, presenze, assenze, suoni, silenzi
-
Lo Zen e l’estetica del vuoto
Forme dell’arte nella Via del Buddha - Aldo Tollini
- April 21, 2023
- L’estetica del vuoto: l’universo in un cerchio
- Silvia Vesco
- April 21, 2023
-
Estetica del vuoto in Mori Mariko
Un uso strategico del discorso sullo Zen - Silvia Rivadossi
- April 21, 2023
- Estetiche dell’accumulazione nella letteratura giapponese del primo Novecento
- Pierantonio Zanotti
- April 21, 2023
-
Un’assenza nel paesaggio
Governamentalità e commodificazione in A.K.A. Serial Killer - Eugenio De Angelis
- April 21, 2023
- Il cinema e la gioventù nelle decadi perdute
- Maria Roberta Novielli
- April 21, 2023
- Ma 間 e musica: il pieno e il vuoto
- Luciana Galliano
- April 21, 2023
-
Sulla tela del tempo
Filosofia del suono nell’Etude III per pianoforte di Toshio Hosokawa - Letizia Michielon
- April 21, 2023
- Toshio Hosokawa musicista cinematografico
- Roberto Calabretto
- April 21, 2023
-
Un’assoluta e imperturbabile staticità
Lettura e ascolto di Lettera alla madre per shō - Riccardo Vaglini
- April 21, 2023
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_16787 |
|
dc.contributor.author |
Notargiacomo Paolo |
|
dc.title |
Intorno a Takemitsu e Hosokawa (con una digressione). Presentazione del concerto Due omaggi del 22 febbraio 2022 |
|
dc.type |
Chapter |
|
dc.language.iso |
it |
|
dc.description.abstract |
In presenting the concert Due omaggi, dedicated to the music of Takemitsu and Hosokawa, but also to the influences and suggestions of Japanese aesthetics on the Western world, the author briefly illustrates the dialogue between European and Japanese music that runs through the entire modern era, from fin de siècle Japaneseism to the most recent neo-avant-garde aesthetics. The history of this long and rich relationship, made up of exchanges, loans, contaminations, mirrorings and mutual identifications, is, in fact, a necessary premise for understanding a large number of elements, choices and aspects that characterise contemporary music on both sides. In the light, then, of this profound liaison, the individual pieces that make up the varied programme are framed and described. |
|
dc.relation.ispartof |
Ca’ Foscari Japanese Studies |
|
dc.relation.ispartof |
Arts and Literature |
|
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
|
dc.issued |
2023-04-21 |
|
dc.dateSubmitted |
2023-03-08 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-702-9/intorno-a-takemitsu-e-hosokawa-con-una-digressione/ |
|
dc.identifier.doi |
10.30687/978-88-6969-701-2/003 |
|
dc.identifier.issn |
2610-8976 |
|
dc.identifier.eissn |
2610-9395 |
|
dc.identifier.isbn |
978-88-6969-702-9 |
|
dc.identifier.eisbn |
978-88-6969-701-2 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
no |
| Download data |