Series |
Quaderni di Venezia Arti
Edited book | Space Oddity: Exercises in Art and Philosophy
Chapter | Orbital Dying
Orbital Dying
Watching the Crucifixion from God’s Point of View
- Martin Wiesinger - HFBK Hochschule für bildende Künste Hamburg, Deutschland - email
Abstract
A small drawing made by Saint John of the Cross (1542-1591) shows the Crucifixion in a rare, if not unique, view from above. Opening with a closer look at the restoration report as well as the iconographic reception of the drawing within later images, the following paper seeks to bring out the drawing’s triangular constellation of subject, image and others in regard of the intertwined dynamics of individuality, positioning and image-making. The diagonal perspective onto the Passion speaks from a dis-placed subjectivity in face of the image and by the example of the author’s own practice of drawing, a possible understanding of this rare point of view shall be gained.
Submitted: Oct. 28, 2022 | Published Dec. 21, 2022 | Language: en
Keywords Crucifixion • John of the Cross • Drawing • Altar • Audience • Bird’s-eye View • Artist • Orbit
Copyright © 2022 Martin Wiesinger. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-675-6/015
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DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_15598 |
dc.contributor.author |
Wiesinger Martin |
dc.title |
Orbital Dying. Watching the Crucifixion from God’s Point of View |
dc.type |
Chapter |
dc.language.iso |
en |
dc.description.abstract |
A small drawing made by Saint John of the Cross (1542-1591) shows the Crucifixion in a rare, if not unique, view from above. Opening with a closer look at the restoration report as well as the iconographic reception of the drawing within later images, the following paper seeks to bring out the drawing’s triangular constellation of subject, image and others in regard of the intertwined dynamics of individuality, positioning and image-making. The diagonal perspective onto the Passion speaks from a dis-placed subjectivity in face of the image and by the example of the author’s own practice of drawing, a possible understanding of this rare point of view shall be gained. |
dc.relation.ispartof |
Quaderni di Venezia Arti |
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
dc.issued |
2022-12-21 |
dc.dateSubmitted |
2022-10-28 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-675-6/orbital-dying/ |
dc.identifier.doi |
10.30687/978-88-6969-675-6/015 |
dc.identifier.eissn |
2784-8868 |
dc.identifier.isbn |
|
dc.identifier.eisbn |
978-88-6969-675-6 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
dc.subject |
Altar |
dc.subject |
Artist |
dc.subject |
Audience |
dc.subject |
Bird’s-eye View |
dc.subject |
Crucifixion |
dc.subject |
Drawing |
dc.subject |
John of the Cross |
dc.subject |
Orbit |
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