«L’umanesimo della parola»
Studi di italianistica in memoria di Attilio Bettinzoli
edited by
abstract
By remembering Attilio Bettinzoli with this collection of essays, the intent of friends and colleagues is to recognize the legacy of knowledge and affectionate memories that he left in those who attended him in his intellectual excursions. His entire life was dedicated to literature and teaching, with a fine critical spirit and with joyful curiosity, both on the academic side as a refined reader – in the footsteps of Vittore Branca and exploring paths ranging from Boccaccio, Poliziano, Ficino, Pico and Iacopo Sannazaro up to the poets of the twentieth century, with a predilection for Rebora – and in poetic writing, along an existential line interpreted with dense and suggestive poetic collections that accompany the path of investigation into twentieth-century poetry in friendly and esteemed voices such as those of Eugenio Montale, Emilio Cecchi, Giovanni Boine, Camillo Sbarbaro, Cristina Campo, Giorgio Caproni and Giorgio Vigolo, often assigned to students as a topic in numerous theses, to attest to research constantly linked to teaching. These are also the thematic and conceptual lines on which the essays offered by colleagues and students move, in a small sign of friendship and gratitude for the path shared over the years.
Poliziano • Books • Il Paradiso degli Alberti • Literary genres • History of Classical Scholarship • Bettinzoli • Christian Hymns • Giovanni Boccaccio • Francesco di Vannozzo • Fragment • Historical lexicography • Petrarca R • V • Republic of Venice • Arsenal • Albiera degli Albizzi • Estense Court • Florentine humanism • Bestiary • Lodovico Martelli • Cominian editions of the Stanze • Venetian • Paradox • 20th century writers • Andrea Bajani • Social criticism • Maurensig • Colleague • Autographs • Leopardi • Amers • Caterina Cornaro • Elémire Zolla • Giovannantonio and Giacomo Volpi • Interior and exterior landscape • Italian literature • Death of the author • Erasmus of Rotterdam • Zibaldone • Early literary reproductions/parodies of Turkish a • Literature • Cesare Ripa • Praise of Folly • Pierantonio Serassi • Cain • F • Politics • Sarpi • Goddess Febris • Roman church • Lorenzo de’ Medici • 15th century poetry • Daemons • Anton Francesco Doni • Literature and industry • Humanism • Italian fiction • Humanistic Philology • Dante • Fortune • Munich State Library • Giacoppo’s and Ginevra’s ‘novelle’ • Giovanni Gherardi da Prato • Rebora • Pliny the Elder • Nautical terms • Querelle des anciens et de modernes • Saint-John Perse • Sciascia • Bibliography • Cyprus • Laurentian circle • Hesiod • Obedience • Scholia to Hesiod • Albert The Great • Music • Virtus • Canon • Asolo • Historiography • Home • Passion • Italian literature of the 15th century • Luigi Pulci • Pietro Bembo • De obedientia • Pasolini • Typography • Ghiribizzi • Bible • Benedetto Varchi • Industry and literature • Brescian dialect • Iconology • Fifteen century italian short stories • Francesco Priuli • Sovereignty • Angelo Poliziano • Achille Platto • Humanities • Claudius Aelianus • Epicedion • Rime • Space-time • political poems • Poetry • Prince • Italian studies • 21st century • Florence-Milan war (1390-1402) • Ancient and medieval zoology • Lionardo Salviati • Literary criticism • Italian writers • Intertextuality • Boine • La Sicilia, il suo cuore • Lorenzo Carbone • Mass-men • Religion • Sonnets • Adagia • Solinus • Publishing history • Simone Serdini • Riscontro • Angels • Elegy in Lalagen • Scholar • Montale • Contemporary novel • Renaissance • Teacher • Theory of language • Venetian dialect • Poet • Attilio Bettinzoli • Venetian humanism • Inquisition • Imagination • ‘Ermetismo’ • Giovanni Pontano • 20th century • 19th-20th century • Violin • Pierio Valeriano • Cgm 182 • Translation