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Agamennone (ri)figurato

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Abstract

Painting of the early Contemporary Age reserves some attention to the mythical figure of Agamemnon and the characters closely involved in his story, mostly including him in figurative works that retrace the salient moments of the Homeric and especially tragic narrative, the latter with various modulations. The twentieth century, on the other hand, tends perhaps to isolate his figure, to make him a kind of monument to himself, with singular experiences in stage design. The result is a continuous redefinition that gradually dilutes the very recognizable identity of the characters in the drama, now pondered within more ‘intimate’ and personal poetics, now transfigured into open and polysemic symbolic forms.


Open access | Peer reviewed

Submitted: Dec. 22, 2021 | Accepted: March 15, 2022 | Published Dec. 13, 2022 | Language: it

Keywords Guérin • Pomodoro • Collier • Aeschylus’ Agamennon • Baj • De Chirico

Copyright © 2022 Gian Luca Tusini. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.30687/978-88-6969-632-9/014


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