Agamennone (ri)figurato

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DC Field	Value
dc.identifier	ECF_chapter_7121
dc.contributor.author	Tusini Gian Luca
dc.title	Agamennone (ri)figurato
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	Painting of the early Contemporary Age reserves some attention to the mythical figure of Agamemnon and the characters closely involved in his story, mostly including him in figurative works that retrace the salient moments of the Homeric and especially tragic narrative, the latter with various modulations. The twentieth century, on the other hand, tends perhaps to isolate his figure, to make him a kind of monument to himself, with singular experiences in stage design. The result is a continuous redefinition that gradually dilutes the very recognizable identity of the characters in the drama, now pondered within more ‘intimate’ and personal poetics, now transfigured into open and polysemic symbolic forms.
dc.relation.ispartof	Lexis Supplements
dc.relation.ispartof	Lexis Studies in Greek and Latin Literature
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2022-12-13
dc.dateAccepted	2022-03-15
dc.dateSubmitted	2021-12-22
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-633-6/agamennone-rifigurato/
dc.identifier.doi	10.30687/978-88-6969-632-9/014
dc.identifier.issn	2210-8866
dc.identifier.eissn	2724-3362
dc.identifier.isbn	978-88-6969-633-6
dc.identifier.eisbn	978-88-6969-632-9
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Aeschylus’ Agamennon
dc.subject	Baj
dc.subject	Collier
dc.subject	De Chirico
dc.subject	Guérin
dc.subject	Pomodoro

Chapter
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Agamennone (ri)figurato

Gian Luca Tusini Alma Mater Studiorum Università di Bologna, Italia

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abstract

Painting of the early Contemporary Age reserves some attention to the mythical figure of Agamemnon and the characters closely involved in his story, mostly including him in figurative works that retrace the salient moments of the Homeric and especially tragic narrative, the latter with various modulations. The twentieth century, on the other hand, tends perhaps to isolate his figure, to make him a kind of monument to himself, with singular experiences in stage design. The result is a continuous redefinition that gradually dilutes the very recognizable identity of the characters in the drama, now pondered within more ‘intimate’ and personal poetics, now transfigured into open and polysemic symbolic forms.

Published

Dec. 13, 2022

Accepted

March 15, 2022

Submitted

Dec. 22, 2021

Language

ISBN (PRINT)

978-88-6969-633-6

ISBN (EBOOK)

978-88-6969-632-9

Keywords: Pomodoro • Aeschylus’ Agamennon • Guérin • Baj • Collier • De Chirico

permalink: http://doi.org/10.30687/978-88-6969-632-9/014

Copyright: © 2022 Gian Luca Tusini. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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