Visioni tra teatro e cinema: due sguardi che re-immaginano La

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DC Field	Value
dc.identifier	ECF_chapter_6953
dc.contributor.author	Garavello Monica
dc.title	Visioni tra teatro e cinema: due sguardi che re-immaginano La signorina Julie di Strindberg
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	This paper will analyse two different stagings born by the same text, Miss Julie, written by Strindberg in 1888, with very different results. Two directions that rework and filter the Strindberg’s text through the use of cinematographic language. Christiane Jatahy, a Brazilian director, in her show Julia, uses the cinematographic medium to bring out the complexity of relationships in contemporary society. Katie Mitchell, on the other hand, in her Fräulein Julie, remains faithful to the period set in the text, and above all, she uses the camera to tell the unspoken, textual ellipses, bringing out what happens ‘behind the scene’. The speech will try to highlight and compare the specific narrative processes of these directors and their use of cinematographic language.
dc.relation.ispartof	Quaderni di Venezia Arti
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2022-05-13
dc.dateSubmitted	2021-10-15
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-589-6/visioni-tra-teatro-e-cinema-due-sguardi-che-re-imm/
dc.identifier.doi	10.30687/978-88-6969-588-9/003
dc.identifier.eissn	2784-8868
dc.identifier.isbn
dc.identifier.eisbn	978-88-6969-588-9
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Christiane Jatahy
dc.subject	Cinema
dc.subject	Intermediality
dc.subject	Katie Mitchell
dc.subject	Media
dc.subject	Miss Julie
dc.subject	Multidisciplinary
dc.subject	Performative Languages
dc.subject	Ri-mediation
dc.subject	Screen
dc.subject	Stage
dc.subject	Theatre

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Visioni tra teatro e cinema: due sguardi che re-immaginano La signorina Julie di Strindberg

Monica Garavello Università Ca’ Foscari Venezia, Italia

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abstract

This paper will analyse two different stagings born by the same text, Miss Julie, written by Strindberg in 1888, with very different results. Two directions that rework and filter the Strindberg’s text through the use of cinematographic language. Christiane Jatahy, a Brazilian director, in her show Julia, uses the cinematographic medium to bring out the complexity of relationships in contemporary society. Katie Mitchell, on the other hand, in her Fräulein Julie, remains faithful to the period set in the text, and above all, she uses the camera to tell the unspoken, textual ellipses, bringing out what happens ‘behind the scene’. The speech will try to highlight and compare the specific narrative processes of these directors and their use of cinematographic language.

Published

May 13, 2022

Submitted

Oct. 15, 2021

Language

ISBN (EBOOK)

978-88-6969-588-9

Keywords: Katie Mitchell • Ri-mediation • Intermediality • Christiane Jatahy • Screen • Miss Julie • Cinema • Stage • Multidisciplinary • Performative Languages • Media • Theatre

permalink: http://doi.org/10.30687/978-88-6969-588-9/003

Copyright: © 2022 Monica Garavello. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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