Antiquity Studies

Retour sur l’hymne homérique comme proème : la pragmatique de l’hymne 6 à Aphrodite

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Abstract

For the necessary anthropological return to ‘native’ categories, Thucydides (3.104) helps us for our modern understanding of the Homeric hymns. These poems in epic diction are prooimia to musical competitions. They are composed for a ritual recitation on the occasion of different cultic festivals in different cities. With the example of the second Homeric hymn consecrated to Aphrodite in our modern corpus, the study tends to show the different enunciative procedures aiming at such a ritual function, such a pragmatics through an astonishing portrait of the goddess of erotic desire. The procedure opens the possibility of re-performances of the hymnic poems in other ritual circumstances, in other cultic spaces.


Open access

Submitted: May 17, 2021 | Accepted: June 23, 2021 | Published Dec. 16, 2021 | Language: fr

Keywords Pragmatics • Enunciation • Homeric hymn • Reperformance • Ritual • Aphrodite

Copyright © 2021 Claude Calame. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.30687/978-88-6969-548-3/002


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