Le mostre di Ca’ Pesaro e la scultura a Venezia

« previous chapter | next chapter »

Iscriviti alla newsletter

DC Field	Value
dc.identifier	ECF_chapter_1616
dc.contributor.author	De Grassi Massimo
dc.title	Le mostre di Ca’ Pesaro e la scultura a Venezia nel primo dopoguerra
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	This essay analyses the presence of sculptures at the exhibitions held at Ca’ Pesaro palace in 1919 and 1920. Studying works of art created by artists of the calibre of Arturo Martini and Napoleone Martinuzzi, a style or a general inclination can be identified, because otherwise very few documents certify that moment. In conclusion, a comparison is carried out between ancient and classical suggestions and monumental sculptures made by Martini and Martinuzzi in the 20s.
dc.relation.ispartof	Storie dell’arte contemporanea
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2018-03-01
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-200-0/le-mostre-di-ca-pesaro-e-la-scultura-a-venezia-nel/
dc.identifier.doi	10.30687/978-88-6969-199-7/005
dc.identifier.issn	2610-9905
dc.identifier.eissn	2610-9891
dc.identifier.isbn	978-88-6969-200-0
dc.identifier.eisbn	978-88-6969-199-7
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Exhibitions
dc.subject	Exhibitions
dc.subject	Sculpture
dc.subject	Sculpture
dc.subject	Twentieth century
dc.subject	Twentieth century
dc.subject	Venice
dc.subject	Venice

Chapter
open access

Le mostre di Ca’ Pesaro e la scultura a Venezia nel primo dopoguerra

Massimo De Grassi Università degli Studi di Trieste, Italia

VIEW PDF DOWNLOAD PDF

abstract

This essay analyses the presence of sculptures at the exhibitions held at Ca’ Pesaro palace in 1919 and 1920. Studying works of art created by artists of the calibre of Arturo Martini and Napoleone Martinuzzi, a style or a general inclination can be identified, because otherwise very few documents certify that moment. In conclusion, a comparison is carried out between ancient and classical suggestions and monumental sculptures made by Martini and Martinuzzi in the 20s.

Published

March 1, 2018

Language

ISBN (PRINT)

978-88-6969-200-0

ISBN (EBOOK)

978-88-6969-199-7

Keywords: Venice • Twentieth century • Exhibitions • Sculpture

permalink: http://doi.org/10.30687/978-88-6969-199-7/005

Copyright: © 2018 Massimo De Grassi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

References to this chapter

How to cite