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Le mostre di Ca’ Pesaro e la scultura a Venezia nel primo dopoguerra

Massimo De Grassi    Università degli Studi di Trieste, Italia    

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abstract

This essay analyses the presence of sculptures at the exhibitions held at Ca’ Pesaro palace in 1919 and 1920. Studying works of art created by artists of the calibre of Arturo Martini and Napoleone Martinuzzi, a style or a general inclination can be identified, because otherwise very few documents certify that moment. In conclusion, a comparison is carried out between ancient and classical suggestions and monumental sculptures made by Martini and Martinuzzi in the 20s.

Published
March 1, 2018
Language
IT
ISBN (PRINT)
978-88-6969-200-0
ISBN (EBOOK)
978-88-6969-199-7

Keywords: SculptureExhibitionsVeniceTwentieth century

Copyright: © 2018 Massimo De Grassi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.