Storie dell’arte contemporanea

‘Dissidenti’ e invitati alle mostre del 1920

Dibattito su una ricezione critica

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Abstract

1920 is a watershed: a year that marks a break and a detachment in exhibitions held at Ca’ Pesaro palace. If in 1919 there was a ‘resurrection’ of the annual group show, after World War I, then a rift emerges that will never heal. A split between ‘dissident’ artists (actually the most interesting ones and pioneers of those so famous exhibits) and who was then in charge on the venue took place. Therefore some verifications about real reasons are reaffirmed through research on press and statements. Is there actually a unity of poetic between those ‘rebels’? Or it just happened due to a spirit of uncompromising revolt? Maybe it has more to deal with meeting again between soul mates.


Open access

Published March 1, 2018 | Language: it

Keywords Felice Casorati • Teodoro Wolf Ferrari • Ca’ Pesaro • Nino Barbantini • Venice 1919-1920 • Gino Rossi

Copyright © 2018 Stefania Portinari. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.30687/978-88-6969-199-7/012


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