La musica d’arte (maqom) tra Herat, Bukhara e Kashgar

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DC Field	Value
dc.identifier	ECF_chapter_2701
dc.contributor.author	De Zorzi Giovanni
dc.title	La musica d’arte (maqom) tra Herat, Bukhara e Kashgar
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	Central Asian Art music (maqom) transcends nowadays national borders and belongs to a larger musical area where Art music was (and still is) called maqām. After a discussion on the many meanings of such a term and on the theoretical works of the so called first Arab-Islamic musicology, the present paper moves to the key figure of systematist musicologist and composer ‘Abd ul-Qādir ibn Ghaybi Marāghī (1360?-1435), who lived part of his life in Herat: from there, through disciples and sons his work, he influenced maqām concept and practice both in the West, in the Ottoman lands, and in the East. In particular, from the 16th century, a musical tradition called Shash Maqom – which arrived to Uyghur’s six town oasis (altıshahr), where the musical tradition called On Ikki Muqam grew – flourished in the Uzbek/Tajik region once called by Greeks Transoxiana, between the cultural centres of Bukhara and Samarkand.
dc.relation.ispartof	Eurasian Studies
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2019-10-17
dc.dateAccepted	2019-07-03
dc.dateSubmitted	2019-03-19
dc.identifier.uri	http://edizionicafoscari.unive.it/en/edizioni4/libri/978-88-6969-341-0/la-musica-darte-maqom-tra-herat-bukhara-e-kashgar/
dc.identifier.doi	10.30687/978-88-6969-340-3/011
dc.identifier.issn	2610-8879
dc.identifier.eissn	2610-9433
dc.identifier.isbn	978-88-6969-341-0
dc.identifier.eisbn	978-88-6969-340-3
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Abd ul-Qādir ibn Ghaybi Marāghī
dc.subject	Abd ul-Qādir ibn Ghaybi Marāghī
dc.subject	al-Fārābī
dc.subject	al-Fārābī
dc.subject	al-Kindī
dc.subject	al-Kindī
dc.subject	Arab Islamic Art Music
dc.subject	Arab Islamic Art Music
dc.subject	Baghdad
dc.subject	Baghdad
dc.subject	Central Asian Art Music
dc.subject	Central Asian Art Music
dc.subject	Herat
dc.subject	Herat
dc.subject	‘ibn-Sinā
dc.subject	‘ibn-Sinā
dc.subject	Kashgar
dc.subject	Kashgar
dc.subject	Khiva
dc.subject	Khiva
dc.subject	Maqām
dc.subject	Maqām
dc.subject	On Ikki Muqam
dc.subject	On Ikki Muqam
dc.subject	Safī al-Dīn
dc.subject	Safī al-Dīn
dc.subject	Samarkand
dc.subject	Samarkand
dc.subject	Shash Maqom
dc.subject	Shash Maqom
dc.subject	Timurid Culture Bukhara
dc.subject	Timurid Culture Bukhara

Chapter
open access peer reviewed

La musica d’arte (maqom) tra Herat, Bukhara e Kashgar

Giovanni De Zorzi Università Ca’ Foscari Venezia, Italia

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abstract

Central Asian Art music (maqom) transcends nowadays national borders and belongs to a larger musical area where Art music was (and still is) called maqām. After a discussion on the many meanings of such a term and on the theoretical works of the so called first Arab-Islamic musicology, the present paper moves to the key figure of systematist musicologist and composer ‘Abd ul-Qādir ibn Ghaybi Marāghī (1360?-1435), who lived part of his life in Herat: from there, through disciples and sons his work, he influenced maqām concept and practice both in the West, in the Ottoman lands, and in the East. In particular, from the 16th century, a musical tradition called Shash Maqom – which arrived to Uyghur’s six town oasis (altıshahr), where the musical tradition called On Ikki Muqam grew – flourished in the Uzbek/Tajik region once called by Greeks Transoxiana, between the cultural centres of Bukhara and Samarkand.

Published

Oct. 17, 2019

Accepted

July 3, 2019

Submitted

March 19, 2019

Language

ISBN (PRINT)

978-88-6969-341-0

ISBN (EBOOK)

978-88-6969-340-3

Keywords: Shash Maqom • Maqām • Baghdad • al-Fārābī • Arab Islamic Art Music • Khiva • Herat • al-Kindī • Safī al-Dīn • Timurid Culture Bukhara • On Ikki Muqam • ‘ibn-Sinā • Abd ul-Qādir ibn Ghaybi Marāghī • Kashgar • Samarkand • Central Asian Art Music

permalink: http://doi.org/10.30687/978-88-6969-340-3/011

Copyright: © 2019 Giovanni De Zorzi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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