Sayat Nova: tra le pause di quiete e le crisi

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DC Field	Value
dc.identifier	ECF_chapter_2694
dc.contributor.author	Bellingeri Giampiero
dc.title	Sayat Nova: tra le pause di quiete e le crisi di una creazione
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	Sayat Nova (1712?-1795?), the ‘singer’ par excellence of the Transcaucasian peoples and ashuq (lover), follows the hard path of Love of the ashuq/lovers towards the Beloved (or towards the Lord, God, in a sufi, mystical approach). Being based in Tbilisi/Tiflis, siege of the court of the Georgian rulers, he composes in three languages (Armenian, Azerbaijani, Georgian). However, in his trilingual collections (defter) of songs, we can hear and feel only one discourse, or mantıq, that is a logic used and applied by the ashuq/gusan. The evidence of a continuity, in a unique environment/muhit, between Sayat Nova, the medieval Armenian tradition, the Muslim sufi poets and the Christian Masters is clear enough. Sayat Nova organises and recomposes a common way of expression between traditions that are not very different from each other.
dc.relation.ispartof	Eurasian Studies
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2019-10-17
dc.dateAccepted	2019-04-17
dc.dateSubmitted	2019-03-15
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-341-0/sayat-nova-tra-le-pause-di-quiete-e-le-crisi-di-un/
dc.identifier.doi	10.30687/978-88-6969-340-3/012
dc.identifier.issn	2610-8879
dc.identifier.eissn	2610-9433
dc.identifier.isbn	978-88-6969-341-0
dc.identifier.eisbn	978-88-6969-340-3
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Armenian
dc.subject	Armenian
dc.subject	Ashuq-gusan
dc.subject	Ashuq-gusan
dc.subject	Azerbaijani
dc.subject	Azerbaijani
dc.subject	Defter
dc.subject	Defter
dc.subject	Georgian
dc.subject	Georgian
dc.subject	Mantìq
dc.subject	Mantìq
dc.subject	Muhit
dc.subject	Muhit
dc.subject	Sayat Nova
dc.subject	Sayat Nova

Chapter
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Sayat Nova: tra le pause di quiete e le crisi di una creazione

Giampiero Bellingeri Università Ca’ Foscari Venezia, Italia

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abstract

Sayat Nova (1712?-1795?), the ‘singer’ par excellence of the Transcaucasian peoples and ashuq (lover), follows the hard path of Love of the ashuq/lovers towards the Beloved (or towards the Lord, God, in a sufi, mystical approach). Being based in Tbilisi/Tiflis, siege of the court of the Georgian rulers, he composes in three languages (Armenian, Azerbaijani, Georgian). However, in his trilingual collections (defter) of songs, we can hear and feel only one discourse, or mantıq, that is a logic used and applied by the ashuq/gusan. The evidence of a continuity, in a unique environment/muhit, between Sayat Nova, the medieval Armenian tradition, the Muslim sufi poets and the Christian Masters is clear enough. Sayat Nova organises and recomposes a common way of expression between traditions that are not very different from each other.

Published

Oct. 17, 2019

Accepted

April 17, 2019

Submitted

March 15, 2019

Language

ISBN (PRINT)

978-88-6969-341-0

ISBN (EBOOK)

978-88-6969-340-3

Keywords: Muhit • Sayat Nova • Mantìq • Defter • Georgian • Ashuq-gusan • Armenian • Azerbaijani

permalink: http://doi.org/10.30687/978-88-6969-340-3/012

Copyright: © 2019 Giampiero Bellingeri. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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