Diaspore

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Series | Diaspore
Volume 6 | Review | Symbologies and Writings in Transit

Symbologies and Writings in Transit

open access | peer reviewed
    edited by
  • Vanessa Castagna - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Vera Horn - Università Ca’ Foscari Venezia, Italia - email

Abstract
Simbologie e scritture in transito is a collection of contributions from Italophone, Lusophone, and Hispanophone cultures comprising a variety of disciplines and different perspectives. These contributions analyze the complex human and social issue of groups and individual people on the move, broaching a topic that culture, university and academia, and writing are discussing at different levels: an evanescent world on its way out, which will always continue trying to find a way back in or return to its country of origin.

Keywords Poetic • Miscegenation • Venice • Person-building • Prostitution • Brazilian literature • Cape Verde • Immigration • Migrant literature • Venetian novel • Brazil • Meetliterature • Migration • De Amicis • Duchamp • Imaginations about Brazil • Contemporary aesthetics • Language • Gender • Wandering • Paz • Julio Cortázar • Macedonio • Production of co-presence • Letters • Sex relationships • Italy • Roger Caillois • João Gilberto Noll • Difference • Nation • Julio Monteiro Martins • Archives • Female prisons • Aesthetics • Sensuality • Exile • Identity • Foreign female detainees • Mask • Hugo von Hofmannsthal • Cortázar • Adolfo Bioy Casares • Gabriele D'Annunzio • Italophon literature • Translingual literature • Transnational prison motherhood • Artistic autobiography • Paradoxes • Deconstruction • Love • Bilingualism • Marriages • Motherland

Permalink http://doi.org/10.14277/978-88-6969-112-6 | e-ISBN 978-88-6969-112-6 | ISBN (PRINT) 978-88-6969-113-3 | Published Dec. 15, 2016 | Language it

Copyright © 2016 Vanessa Castagna, Vera Horn. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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