Soglia | Threshold
open access | peer reviewedKeywords Chiese veneziane • Magiciens de la terre, Global Art, Global Art Hist • Annunciation • Missionary exhibitions • Triumphal arch • Visual identity • Threshold • Religious alterity • Disobedience Archive • Museums • Medieval Dalmatia • Late medieval art • Renaissance perspective • Reenactment • Immersive art • Portali • Porta clausa • Intarsia • An-icon • Iscrizioni • Genealogy • Image-making • Cain and Abel’s offering • Urban views • Opening Madonna • Threshold symbolism • Vierge ouvrante • Split Cathedral • Marin Sanudo • Bastiani, Monopoli, Puglia • Chinese collections • Immagini sacre • Moving-image • Temporality • William Henry Fox Talbot • hortus conclusus • Iconography • Frescoes • Choir stalls • Missionary Collecting • Emilia-Romagna • Christological narrative
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Pubblicato 22 Dicembre 2025 | Lingua fr, en, it
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