Soglia | Threshold
open access | peer reviewedKeywords Visual identity • William Henry Fox Talbot • Bastiani, Monopoli, Puglia • Temporality • Immersive art • Triumphal arch • Image-making • Museums • Vierge ouvrante • hortus conclusus • Opening Madonna • Threshold symbolism • Threshold • Marin Sanudo • Frescoes • Porta clausa • Medieval Dalmatia • Missionary Collecting • Portali • Renaissance perspective • Annunciation • Iconography • Disobedience Archive • Magiciens de la terre, Global Art, Global Art Hist • Missionary exhibitions • Moving-image • Emilia-Romagna • Choir stalls • Reenactment • Chiese veneziane • Cain and Abel’s offering • Immagini sacre • Iscrizioni • An-icon • Split Cathedral • Intarsia • Christological narrative • Religious alterity • Genealogy • Chinese collections • Urban views • Late medieval art
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Pubblicato 22 Dicembre 2025 | Lingua en, fr, it
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