Gio. Bapt. Paggius Genuensis F.

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Campo DC	Valore
dc.identifier	ECF_article_1071
dc.title	Gio. Bapt. Paggius Genuensis F.. La Nobilissima scienza della pittura di Giovanni Battista Paggi
dc.contributor.author	Frascarolo Valentina
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/venezia-arti/2017/1/gio-bapt-paggius-genuensis-f/
dc.description.abstract	The Genoese painter Giovanni Battista Paggi (1554-627) is often mentioned by the scholars, not only for his artistic works, but also for his great social commitment in promoting the artist to the status of intellectual. The aim of this article is to put in light the Paggi’s extraordinary conviction that painting must be considered and called nobilissima scienza and for this reason, he signed the great part of his works. Moreover, in the first part of his career, he recorded his compositions and the name of his patrons by drawing. The self-promotion of his activity conducted him to be considered an intellectual and a guide by his contemporaries.
dc.relation.ispartof	Venezia Arti
dc.relation.ispartof	Vol. 26 \| Dicembre 2017
dc.issued	2017-12-20
dc.dateAccepted	2017-09-27
dc.dateSubmitted	2017-07-17
dc.identifier.issn
dc.identifier.eissn	2385-2720
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.14277/2385-2720/VA-26-17-11
dc.peer-review	yes
dc.subject	Genoa
dc.subject	Genoa
dc.subject	Intellectual
dc.subject	Intellectual
dc.subject	Paggi
dc.subject	Paggi
dc.subject	Signature
dc.subject	Signature

Articolo
open access peer reviewed

La Nobilissima scienza della pittura di Giovanni Battista Paggi

Valentina Frascarolo Ricercatrice indipendente

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abstract

The Genoese painter Giovanni Battista Paggi (1554-627) is often mentioned by the scholars, not only for his artistic works, but also for his great social commitment in promoting the artist to the status of intellectual. The aim of this article is to put in light the Paggi’s extraordinary conviction that painting must be considered and called nobilissima scienza and for this reason, he signed the great part of his works. Moreover, in the first part of his career, he recorded his compositions and the name of his patrons by drawing. The self-promotion of his activity conducted him to be considered an intellectual and a guide by his contemporaries.

Pubblicato

20 Dicembre 2017

Accettato

27 Settembre 2017

Presentato

17 Luglio 2017

Lingua

Keywords: Genoa • Intellectual • Signature • Paggi

permalink http://doi.org/10.14277/2385-2720/VA-26-17-11

Copyright: © 2017 Valentina Frascarolo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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