Rivista | JoLMA
Fascicolo | 5 | 1 | 2024
Articolo | Mappers, Mapmakers, and Cartographers and Where to Find Them in Contemporary Art (a Modest Proposal)
Abstract
The so-called “art map age”, a phenomenon marked by the convergence of visual arts and cartography, emerged between the 60-70s and early 2000s. The close relationship between cartographic and artistic language is a “commonplace” of the present world: if the artistic experiments with the maps have been supported by a vast bibliography, in this paper I follow a strictly geographical approach to describe some trends of contemporary art. I take inspiration from a terminological distinction introduced by Arthur Robinson and Barbara Petchenik: and that is between ‘mapper’, ‘mapmaker’ and ‘cartographer’. Furthermore, combining the “types” of the mapper, the mapmaker, and the cartographer with the different attitudes regarding maps (as medium, image, abstraction, etc.), I will suggest a small classification scheme.
Presentato: 08 Febbraio 2024 | Accettato: 28 Marzo 2024 | Pubblicato 26 Luglio 2024 | Lingua: en
Keywords Iconology • Contemporary art • Map • Cartography • Geography
Copyright © 2024 Marcello Tanca. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/Jolma/2723-9640/2024/01/005