Rivista | JoLMA
Fascicolo | 5 | 1 | 2024
The Art of Mapping Between Land and Mind
open access | peer reviewed-
a cura di
- Francesco Ragazzi - Università Ca’ Foscari Venezia, Italia; Paris 1 Panthéon-Sorbonne, France - email
Keywords Ryle • Vertical perspective • Recording • Hyperobjects • Yorùbáland • Scopic regime • Representational Risk • Immanuel Kant • Geography • Biston betularia carbonaria • Nelson Goodman • Climate-change • Philosophy • Settler Colonialism • Territory • Cartography • Cartographic Styles • Mapping processes • Walter Benjamin • Geographic Information Systems • Geographic ontology • Symbolic Representation • Epistemology • Art • Surveillance technologies • Map • Maps • Worlding • Race • Systematic ambiguity • Blank spot • Allegory • Aesthetics in Science • Conceptual analysis • Sámi Art • Logic • Epistemic Risk • Libyan Desert • Italian colonial cartography • Drone photography • Sound • Transcendental illusion • Category-mistake • Symbol • Ocean • System • Semiotics • Cetaceans • Monsters • Ecology • Geontopower • Marine ecology • Counter-mapping • Topographic mapping • Clouds • Fluidity • Strait • Michel Serres • Mind • Hans Ragnar Mathisen • Palimpsest • Digitalisation • Indigenous cartography • Digital • Sea • Conceptual cartography • Spatiality • Machine gaze • Iconology • Eco-dystopia • Contemporary art • Mapping • Physical Geography
Permalink http://doi.org/10.30687/Jolma/2723-9640/2024/01 | Pubblicato 26 Luglio 2024 | Lingua en
Copyright © Francesco Ragazzi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
