47 | 121 | 2024
open access | peer reviewedKeywords Exile • Valverde, 20 • Prosa catalana del Primo Novecento • Língua portuguesa • Literatura de viaje • Intermediality • Questão da língua • Teatro mexicano • Violencia contra la mujer • Women’s press • Premsa femenina • Women and violence • Ana de Castro Osório • Grabaciones • Privacidad • Magazines for Women • Álbumes • Américo Castro • Luigi Tansillo • Violenza • Leucopetra • Scrittura delle donne • Autorferencialidad • Violencia epistémica • Juan José Saer • Flores y Perlas • Intertextualidad • History of Criticism • Violenza subliminale • Late nineteenth century Spanish press • autobiografía • Gender discriminations • Literatura siglo XIX • Friné Criolla • Intertextuality • Feminal • Literatas • Voz • Poemas • Orthographic reform • Portuguese language • Drawing • Female instruction • Intermedialidad • Luso-Brazilianism • Phonodia • Dibujo • Identidad • Antonio Gala • Girolamo Borgia • Albums • Resistance • Onorato Fascitelli • Siesta • Instrucción femenina • Prostitución • Jorge Luis Borges • Unpublished texts • Lagartijas tiradas al sol • Libro ilustrado • Travel literature • Història de la crítica • Discriminazioni di genere • Nineteenth century women’s literature • Elogio della Follia • Alfonso d’Avalos • Privacy • Transparencia • Escriptura de dones • Estudis de gènere • Women’s journals • Subliminal violence • Stampa spagnola di fine Ottocento • cabaret • identidad • Rosalía de Castro • Illustrated books • Contemporary Catalan literature • Resistencia • Women’s writing • Fin de siècle fiction • Sound files • Archivos sonoros • Language issue • Don Quijote • Clandestinity • Bernardino Martirano • Clandestinidad • Reforma ortográfica • Violencia estructural • Voice • Prostitution • Riviste femminili • María Teresa León • Flor en el agua • Luso-brasileirismo • Mexican theatre • Textos inéditos • Literatura de mujer siglo XIX • Transparency • Víctor Català • Recordings • Poems • Prensa femenina • Erasmo da Rotterdam • Felip Palma • Exilio • Ode ad florem Gnidi • Autobiografía • Gender Perspective • Rafael Alberti
Permalink http://doi.org/10.30687/Ri/2037-6588/2024/22 | Pubblicato 26 Giugno 2024 | Lingua en, pt, es, ca, it
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.